Lo Chun-Yip

The once-glamourous Club EJ suddenly experiences a hostile takeover. Much like the nightclub industry, the glory days are over for the club’s manager, despite having stood tall in East Tsim Sha Tsui for decades. To make matters worse, the new CEO is none other than his cutthroat ex-wife.

As a long-standing bar prepares to close, owner Hung and his young staff member Yip set out to return unclaimed bottles of wine to their owners. Through these encounters, Yip learns the deep connections between the wines and their stories, gaining insight into Hung’s philosophy. Alongside veteran bartender Bill, passionate mixologist Grace, and singer Adam, they create lasting memories for their customers in the bar’s final days.

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High school teacher Cheng looks back to his repressed childhood memories, as he finds an anonymous suicide note in the classroom. He strives hard to prevent another tragedy from happening, meanwhile facing a series of family problems, his wife is divorcing him, and his father is dying.

Jing's day begins with a graceful tracking shot that follows her from the early morning as she pumps breast milk, leaves her baby with her mother-in-law, and heads to the bakery where she works.

After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.

The story is about the future in Year 2060 where a Time Limit Law is implemented in a certain country. Everything that is done including dating is limited by time. The protagonist realizes the Law was created to control the people's means and joins a revolution to overthrow the Time Limit Law.

One day Pak, a taxi driver who refuses to retire, meets Hoi, a retired single father, in a park. Although both are secretly gay, they are proud of the families they have created through hard work and determination. Yet in that brief initial encounter, something is unleashed in them which had been suppressed for so many years. As both men recount and recall their personal histories, they also contemplate a possible future together.

A short film with dialogue for Eason Chan's Mandarin song "Don't Mind Me" 社交恐懼癌 (from his most recent album "Chin Up"), which was produced as an extended backstory for the music video. The Chinese title literally translates as "social anxiety cancer". Starring Eason Chan himself, along with a guest appearance from Tony Leung Chiu-Wai.

Four young lives were changed forever when they become involved in the 1967 Hong Kong Leftist Riot; half a century later, another four face similar challenges amidst the Mainland-Hong Kong conflict.

The long-awaited director’s cut, with 30 minutes of unrevealed and breathtaking highlights! The year is 2012. The once-glamourous Club EJ suddenly experiences a hostile takeover. Much like the nightclub industry, the glory days are over for the club’s manager, Foon (Dayo Wong), despite having stood tall in East Tsim Sha Tsui for decades. To make things worse for Foon, the club’s new CEO is none other than his cutthroat ex-wife, Madame V (Sammi Cheng)! Determined to change things up, she leaves Foon and his hostesses with no choice but to transform and modernize in order to breathe new life into their business. Little do they know, a powerful conglomerate has been pulling the strings all along to shut down Club EJ for good. To save their neon empire, Foon and V must join forces and make an epic last stand with the hostesses against what seems to be inevitable doom.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

While trying to keep his struggling business afloat, a chef goes on a dating app in search of Zelda, his crush from his chatroom days as a teenager. For each Zelda he meets, he makes a tailor-made meal to fit their story. Putting a spotlight on the city’s struggling restaurant sector, indie filmmaker Amos WHY and his co-director Frankie Chung’s unconventional and bittersweet road movie follows a rootless man who turns to his memories to avoid confronting his unknown future. Is it better to drift with uncertainty, or to stay in your comfort zone whilst tethered to a sinking ship?

“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.

The matter of growing, which we always understand afterward, is driving us far away enough to not having a good farewell. The story begins with a day that Hong Kong experiences a magnitude 4.5 earthquake. It brings almost no impact to the city but a beautiful yet untouchable year to a form-one boy name Kwok Pak Chi. Due to the unadaptable school life and his introspective character, he starts to imagine animals escaped from the earthquake as his friends. However, the more he immerses in his fantasy, the more he is pushed by the reality. With the pressure from his unsatisfying homework, schoolmates’ opinions and caring from others, how should Pak Chi confront himself and his imaginary friends?

In the insurance exam hall, Wing is afraid of being categorized as social failures. She trains hard to be professional. However Wing is pressured by the examiner Chan and it’s been tough. With Wing’s pure heart, the system slowly malfunctions… When life gives you lemon, you make lemon tea and you swallow it. But is this our only way out?

Legendary chef Mo Yik-Tin is notorious for turning animals into spectacular dishes – tastes always rule over lives under the butcher's knife. Equally thoughtful and fascist, Mo is a fascinating mentor in the eyes of his apprentice. In subtle tension with the TV programme's host, Mo is poised to present his greatest culinary dishes which set off an intense debate with the programme host. A reflection on the general public's food-obsessed culture and celebrity worship, this feature also highlights human's decadence and corrupt excess through the aesthetics of food.

There are Tomoki, Shun, Kazuya, and Aita in Oiso, the seaside town. One day, Tomoki finds their teacher, Ito, who is their teacher and Kajya’s uncle, dead.

In the pitch-black night, a thread of light slowly appeared on the horizon, reflecting shimmering patterns on the waves; it was the dawn wandering and drifting across the ocean, illuminating the path for sailors returning home. Before navigation systems existed, those who went to sea relied on lighthouses to recognize each coastline. By the frequency of a lighthouse's flashing, sailors knew land was nearby, and home was not far away. With a glance, they could tell the direction of home. The lighthouse has stood on the island for over a hundred years, always lighting the way for those returning. To the wanderers far away, and to the lighthouse guiding the way by the shore.

On 6th March 2011, 113 protesters in Hong Kong were arrested for "Unlawful Assembly" after they stormed the traffic lanes of Central during a demonstration against the budget proposal. Protesters were placed in the canteen of the police station for questioning in groups due to inadequate rooms. Three protesters and three police officers, six people with different political views sitting around the table. The copy machine is out of order; it's going to be a long night. So they started chatting.