Hasso Krull

Marianne Kõrver's documentary is about the life and work of the painter Konrad Mägi (1878-1925). According to the author, when creating the film, she was primarily interested in Mägi's controversial and sometimes inexplicable personality, the various aspects of which are also transferred to his work.

Freddy Grenzmann is Estonia’s last rockstar and the singer of a punk-rock band called Psychoterror. And a poet. The phenomenon of a rockstar stands outside of normality – is bigger than life. Recognizingly what we can say about Freddy, is that he is not normal – not on stage, nor in life. Freddy’s creation and life are equivalent – he puts everything out there. What makes Freddy interesting is not the social or textual play, but the ammount that he puts in. Possibility of total loss of self-control and the depth of a predictable human or metaphysical agony. This is the story of the last real rockstar and poet, his work and of a punkbands anatomy.

Follows photographer and artist Peeter Laurits - a kind of trickster or shaman who moves along the border between different worlds and realities. He brings messages from the realms of art, science, mythology, esotericism and ecology, building highways from the level of moss and bark beetles all the way to the cosmic spheres. The film is set in Kütiorg, a sacred forested valley that is at once a studio and a strangely displaced mystical landscape, where past, present and imagination coexist. Kütiorg becomes the film’s central metaphor: a seemingly small place whose invisible trajectories and darker winding paths open new ways of perceiving a world in perpetual collapse, drawing both the viewer and the protagonist deeper into its depths.