Jacques Bensimon

The rock music scene of the early 1970s--the Rolling Stones, the Stampeders, Whiskey Howl, Alice Cooper--they're all here! Along with classic footage from concerts and recording sessions, Rock-A-Bye looks behind the scenes at record companies and radio studios. The stars also have their say. Ronnie Hawkins chats from the back seat of a Rolls, and Zal Yanovsky of The Lovin' Spoonful tells hilarious anecdotes of his rise to fame, which lasted only 18 months. The camera also goes into a small New York club where Muddy Waters sings and plays guitar, the bluesman who inspired so many great rock musicians. The film ends with Alice Cooper, the first shock rocker, singing "Dead Babies" with a doll and a hatchet. This classic, entertaining rockumentary captures an era!

When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

This film is about the Moroccan Jews who have come to Québec since 1956. It explodes the myth of Jewish unity, showing the Moroccans caught between the Ashkenazy Jews, English-speaking and long established, and the French-speaking Québécois. The film asks whether the Sephardic Jew can be Jewish and Québécois at the same time.