Valeria Esposito

Mirea is about to be 18 years old, and her family is prepearing a big party for her. Teresa, Mirea's mother, wants to gain notoriety, so begins to spend recklessy for the celebration. When the day finally comes, an unexpected death puts it at risk.

Ottavio Camaldoli is a professor of Latin and Greek. An honest and gentleman, he is considered a "fool" by everyone around him. But what would happen if this defenseless man, a victim of petty daily abuses in his social life, at work, and even at home, were to receive another man's heart transplant? Especially if this other man, the donor, were a brutal criminal with the sinister nickname of "O Barbiere" (The Barber)? Would Ottavio Camaldoli, after inheriting the heart, automatically become a criminal? Science tells us that these are just silly, ancient beliefs. But what if Donna Carmela, the Barber's ruthless mother, were convinced that her son is still alive thanks to the heart now beating in the professor's chest?

Gaetano is a divorced traffic cop in a relationship with a beautiful and exuberant woman, for whom he happily provides standards of living well above his means. He plans to propose to her, but she is thinking to run away with his handsome superior. In the midst of debts, unpaid alimony and other serious financial issues, Gaetano unexpectedly wins the lottery, turning the fortune around.

A married man with two children, faithful and in love with his wife, discovers that his wife would like to spice up the menage a little. He plays along and starts texting her as if he were his lover.

For Arturo, a forty-year-old actor, success has finally arrived: the TV series in which he plays a separated father is doing quite well. Unexpectedly, however, comes the flipside of his popularity: Mirko, a boy who recently lost his father, has replaced him in his imagination with the character of Arturo. The media is going wild, and the presence of Enrico, the actor's agent, becomes increasingly pressing.

After their mother dies, three brothers must live together in order to get their inheritance — and soon start to uncover dark family secrets.

No description available.

At the end of July 2002 the time had come again. An audience of 5000 had gathered to listen to the new production of Gaetano Donizetti’s L’elisir d’amore under the direction Saverio Marconi, conducted by Niels Muus. The orchestra was seated in an enormous box that was put on the stage, while the singers, in traditional costumes by Silvia Aymonino, performed on stage in front of it, among them the young Valeria Esposito as Adina, Aquiles Machado in the role of Nemorino, Enrico Marrucci as Belcore and the very young Erwin Schrott as Dulcamara.