Idrissa Ouedraogo

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

Saga returns to his village after an extended absence to discover that his father has taken Nogma, Saga's promised bride, for himself. Still in love with each other, the two begin an affair, although it would be considered incestuous.

A dwarf born into an intolerant village meets a farmer who teaches her about love, friendship and sacrifice.

Kini and Adams are two friends leaving in a Zimbabwe village who dream of repairing an old broken car, and moving to the city and starting life over.

The beautiful Awa, from a poor background, decides to marry for money rather than love and ends up with the much older Karim. While married, she continues to love the much younger Bouba. On the happy occasion of Awa’s birthday, a macabre plan is to be set in motion.

20 short films about human rights.

Twelve international filmmakers create connections between humans and animals, through biodiversity, ecosystem, climate change, environment and water risks.

This documentary offers the reflections of filmmakers shot at FESPACO 1991. Djibril Diop Mambéty, David Achkar, Moussa Sene Absa, Mambaye Coulibaly, Idrissa Ouedraogo, Mansour Sora Wade... express their faith in the eternity of African cinema.

Eugene, an idealistic young African farmer and musician, decides to leave his village and family momentarily to try out his luck in the city. He makes new friends there, who accompany him on his musical career. He also meets up with Kassi, a childhood friend who has become a prostitute, with whom a new, closer friendship begins. However, when she dies from AIDS, Eugene is confronted by the harsh reality that his spontaneity and innocence blocked out and decides to put his singing talents and fame as a singer to the service of fighting the disease of AIDS. Once back home in his village, the reunion with his wife and children make him realize that life and hope are more powerful than anything else.

Djibril Diop Mambéty followed and filmed the shooting of Yaaba, Idrissa Ouédraogo's second feature film. A documentary full of humorous anecdotes regarding the dangers of shooting in Burkina Faso.

The only surviving accomplice of a gas station robbery gone bad, Samba Traoré flees the scene with a suitcase full of cash. However, his newfound happiness is put to the test as he struggles to cope with the moral crisis of his crimes.

Fatou Cissé accompanies her father, malien director Souleymane Cissé, through a trip down his film career, painting an intimate and poetic picture of one of Africa’s most celebrated actors.

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Karim's father is missing and presumed dead, which is why his father's brother has taken over the house and is now his stepfather: this is the custom in Burkina Faso. This would be all right with Karim, except that his new stepfather is a harsh, unloving man, who would just as soon beat him as look at him, and he is the same way with the lad's mother. At the same time, Karim has made friends with Sala, a girl from a wealthy family, starting from when he gave her a baby goat-kid. Their friendship prospers enough so that, when Karim and his mother leave the abusive uncle carrying only what they are wearing on their backs, Sala is able to persuade her family to help them settle safely elsewhere. When Karim's father turns up at last, it is icing on the cake, for they are now able to send the obnoxious man who overshadowed their lives away in disgrace.

This drama focuses upon the psychological adjustment problems of a young boy whose family moves him from Africa to Paris, France. Moctar, a boy whose first 11 years were spent in a small village in Mali, is having difficulty adjusting to his new life in Paris. After several years in Paris, Moctar suddenly sees a terrible hyena in the street. When Moctar tries to explain his vision, he becomes the laughingstock of his peers and a patient for the school psychologist. No one believes Moctar, not even his parents, until he is befriended by Paulo who helps Moctar understand.

African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.

A small African village. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When Bila's cousin Nopoko gets sick it is Sana's medicine that saves her.

Poverty and misery are rife in Gourga, a village in the Sahel. The inhabitants must choose: stay and await international assistance or leave for more fertile regions in the country.

Issa is a traditional weaver in Burkina Faso who loves his trade. However, so as not to lose his clientele and continue making enough to keep his wife, Issa finds himself forced to sell Western clothes.