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Sanitka was a Czech television, drama series, first broadcast in 1984 and eleven episodes were made. It starred Jaromír Hanzlík, Tomáš Juricka and Zlata Adamovská among others.
The two heroes of the film's story - the decent but dry engineer Zárub and the marriage swindler Majer - are granted this wish by the mysterious forces of the moon. The two men change their appearance, which, however, contrasts sharply with their unchanged characters and voices. The incomprehensible swap naturally becomes the source of many comic plots and situations.
Tóna Bohácek has been a great worry to his mother, Mrs Bohácková. All his friends equal in age are already married and some of them even have children - only Tóna still has nothing. Mother Bohácková thus publishes an ad in the Lonely Hearts column on behalf of her son. From among the girls who responded, she picks out Janicka, a girl from the neighboring village, and then forces Tóna to go to have a look at her and bring her home. The date of the two young people, however, does not turn out well due to the embarrassment on both sides, and Tóna returns home drowning in the feeling of ridiculousness. On the way, he picks up hitchhiker Kveta from Prague. Only then, he realizes that the mother with her festive dinner is waiting for him and Janicka at home and thus asks Kveta to substitute for the girl from the ad.
The construction of a gigantic facility such as the Dukovany nuclear power plant requires only the most capable experts. Such is the engineer Hlaváč, who has been involved in the project from the very beginning as a construction manager. He has to deal with many problems, especially the lack of manpower. He is unfairly demoted to a lower position due to the intrigues of his subordinates and the alibi of the management, but time proves him right and by the time the plant is inaugurated, he is once again the main manager. But the demanding job takes its toll, his heart cannot withstand the frantic pace of work...
The former reputed lover and bon vivant Petr Vok from Rožmberk was widowed at the age of sixty-three. The loss of his much younger wife is hard to bear and it seems that nothing in his life will please him anymore. His loyal friends and servants do everything possible and impossible to cheer him up, but sometimes interesting situations arise, such as when they get him a guaranteed real mermaid. Will anyone be able to cure the master of his lethargy?
A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.
The future communist journalist Julius Fučík had a stimulating childhood and youth in a working-class environment, when his moral maturity was already showing. The authors of the film recall that the young Julek was a star of the suburban operetta scene, and in three episodes they depict him both in his early childhood and already at the gymnasium, when the outbreak of the World War shaped his determination.
A communist journalist from Prague is sent to Ravensbruck concentration camp.
Dorota, a bad woman married the miller, out of sheer greed drives him to death. She then took the mill away from his son Peter and threw him out of the hime. Lucifer, who is known to rule in hell, sends out the devil Janek. He is supposed to fetch Dorota because the measure of her earthly sins is overflowing. But the devil himself can not handle this evil woman and flees to the military. There he meets Peter. By joining forces, they finally succeed in transporting the wicked Dorota to hell. Since then hell is hell. But for Peter, who is suddenly in possession of a magic mantle, begins a nice time, because strangely, the prince shows great interest in him.
A Czech film about love and marital crisis as a work injury.
