Radan Rusev

No description available.

Sanitka was a Czech television, drama series, first broadcast in 1984 and eleven episodes were made. It starred Jaromír Hanzlík, Tomáš Juricka and Zlata Adamovská among others.

No description available.

No description available.

No description available.

No description available.

No description available.

No description available.

No description available.

No description available.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.

Summer 1968: The crisis is reaching its peak. The director of the Prague taxi service, Mudroch, rejects the drivers' absurd demands for a pay increase. The taxi drivers decide to go on strike and seek support against Murdoch from trade unionists and enemies of the regime. The director is convinced that honest communists like him cannot be defeated. However, hateful vandals damage the brakes in his car...

A tribe of survivors take possession of a large but rundown building, killing all who put up resistance - but they don't know that the building is cursed by some demon god and haunted by a girl in white that seems to know a dark secret.

At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.

Based on a Jack London story, this is another attempt at a Western spectacle - after the short story triptych The Canyon of Gold - about a teenage boy who, after his father's death, lives in a gold-mining town. He even witnesses a cruel fight between two cowboys over a supposed treasure.

Despite the initial mistrust of others, former glass worker Štěoán Urban becomes the founder and first chairman of the local agricultural cooperative. However, 1968 arrives and with it comes previously unexpected problems.

In the 1950s, selected basic soldiers in a small border unit guard the western border with devotion, fighting intruders and uncovering their network of facilitators. It's a story of border guards that thankfully wasn't much of a political nudge, more of a tongue-in-cheek tale of young men at war and their joys and sorrows. And in between, they managed to catch a saboteur.

A communist journalist from Prague is sent to Ravensbruck concentration camp.

The film is a concert of well-known actors from an alcohol rehab where a middle-aged man has taken refuge to get rid of his addiction. In the rehab, cruelty is personified by the attendant who, with sadistic satisfaction, hands out demerit points for the slightest sign of displeasure or rebellion.