Nadia Granados

​A queer woman is pregnant. The self-made family unit of two dykes and a trans man imagine a kind of erotic magic that will allow for procreation based solely on desire. Together they enact a public sex ritual to symbolize their hopefulness for multiplicity, acknowledging their cyborg bodies as technological interventions. When the queer woman miscarries her child, the three begin to build their own mythic understanding of where bodies live when they are not inside us. They create a story to trace movement of the non-body, from a hole, to a river, to a room. Images of an imaginary white room, an ikea-esque torture chamber of stillness, haunt them. As a parallel emerges between the pregnant body and the trans body, the techno-sex act becomes the key and a pyramid becomes the portal to access this other world of non-bodied existence.

Goodbye Fantasy is about two bodies in relation to each other as they let go of multiple cinematic universes they occupy together. Transforming from a fantasy body to a dreaming body to a dying body, they enact different constellations of social and political power as they relate to each other within the tight construct of the frame.

"Tell Me When You Die" explores the juxtapositions between physical limitations and freedom, in both political and corporal contexts. It is about walking until you disappear into space. Being swallowed by sea, sky, or earth and the claustrophobia and intimacy of being surrounded by nature. We consider penetration as a cinematic rhythm, and experiment/perform being penetrated by air, water, fingers, and text. Thinking about porn as a genre which can be empowering or degrading in it’s engagement with women and their bodies, we use our own bodies to picture these extremes, at times our bodies are performing power and at times they are not. We also utilize our bodies in a satirical sense to experiment with presentations of gender, in relation to each other and our surroundings.

Taking place on a mythical border area between Colombia and the United States, Borderhole investigates the relationship between North and South America through the lens of the American Dream and the illumination of multiple tensions in/around the border. The film explores imperialism, globalization through pop music, the gender mutant in an international context, and the choreography of women’s bodies in relation to sociopolitical and ecosystems.

The hitman in this parody of a music video, inspired by the figure of the bad men-rapper of music videos, he tells a fiction in which the act of killing is banalized, as in action movies, one after another, the bodies of the actors, they are riddled under the bullets, the killing activity is acted upon and recorded indifferently.