Acting
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In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.
1969 Nikkatsu yakuza movie
Akemi is a dragon tattooed leader of the Tachibana Yakuza clan. In a duel with a rival gang Akemi slashes the eyes of an opponent and a black cat appears, to lap the blood from the gushing wound. The cat along with the eye-victim go on to pursue Akemi’s gang in revenge, leaving a trail of dead Yakuza girls, their dragon tattoos skinned from their bodies.
Goro (Tetsuya Watari) wants to put his dark past behind. He heads to Hirosaki City to offer his condolences to Yumeko and to reunite with Yukiko (Chieko Matsubara), but finds that Yumeko is fatally ill. Although Yukiko was taking care of her, she is pressed for money. Goro wants to help and knows that there is only one way to come up with fast money.
A wandering tough biker girl aids a female delinquent gang in their battles against an all-male Seiyu group over a fixed boxing match.
Mineoka Group executive Okitsu Seiji is imprisoned for the 13th time for attacking rival Kuronuma. While in prison, he learns that the Kuronuma Group has retaliated by killing its leader and seizing territory. Upon his release, he embarks on a revenge campaign.
Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.
Goro had grown up in the yakuza world. As an active member of the Mizuhara family crime syndicate, he expressed his loyalty by always putting himself in the forefront of every battle. Violence never bothered him. However, after being sentenced to three years in prison for stabbing a rival gang’s hit man, he becomes disenchanted with the Yakuza life style. Goro is determined to start anew, but karma catches up. His two closest friends are murdered by his ex-boss. He is left with two options: to kill or be killed.
Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.
Ryoji, a wanderer, arrives in a remote mountain town, carrying a shotgun and claiming to be a hunter. He quickly becomes embroiled in a web of trouble surrounding the town's mill.
Two brothers seek revenge on the yakuza responsible for the death of their father.
Emerging from a stint in prison, yakuza lieutenant Sumukawa discovers that his gang has disintegrated. An ambitious type, he quickly hooks up with another gang who promise him a prominent position if he helps them deal with a rival family. But bonds are made to be broken, and pledges of loyalty soon give way to competition, betrayal and — naturally — retaliation.
A deep mist envelops the port city of Yokohama. The scent of crime is everywhere. As an executive member of a drug trafficking syndicate, Kano is pretty high up in the food chain, but "status" bears no value to him. All he cares for is Ayako, the boss' mistress. After one last job, they intend to run off together to Hong Kong, but their plans are hindered when an uninvited yakuza stirs up a vicious shootout. In the midst of it all, Ayako is kidnapped.
Businessmen arrange the early release from prison of Togawa, serving time for taking revenge on the truck driver whose carelessness confined Togawa's sister, Rie, to a wheelchair. They want Togawa to hijack an armored truck loaded with 120 million yen; their leverage is to promise him money for surgery for Rie. Togawa consents and plans the heist with three others. The plan is solid, but it doesn't go smoothly. Togawa must improvise, there are traitors somewhere, and double-crosses mount. Can Togawa escape with enough money to help his sister and ensure a passage out of Japan?
1962 Japanese movie
A film from Nikkatsu's "moodo akushon" (mood/action) subgenre.
Kyoichi Kageyama, a TV station reporter, is always getting into trouble. But when he gets his hands on a TV that shows the “news of the next day,” his reporting becomes a string of scoops, his love life blossoms, and everything starts going his way, until the news from tomorrow reports his aunt getting robbed and murdered!
1967 Japanese movie
