Hiroshi Inoue

After the defeat of the demon lord Hadlar all of the monsters were unleashed from his evil will and moved to the island of Delmurin to live in peace. Dai is the only human living on the island. Having been raised by the kindly monster Brass, Dai's dream is to grow up to be a hero. He gets to become one when Hadlar is resurrected and the previous hero, Avan, comes to train Dai to help in the battle. But Hadlar, announcing that he now works for an even more powerful demon lord, comes to kill Avan. To save his students Avan uses a Self-Sacrifice spell to attack, but is unable to defeat Hadlar. When it seems that Dai and Avan's other student Pop are doomed a mark appears on Dai's forehead and he suddenly gains super powers and is able to fend off Hadlar. The two students then go off on a journey to avenge Avan and bring peace back to the world.

In turbulent 16th-century Japan, the leaders of a minor fief have their child taken from them as a political hostage. His mother and his clan endure years of tribulations until he can return.

No description available.

George Mihara was ordered by his grandfather Tom to go to Japan. The purpose was to deliver a $100,000 check to Matsuyama, a Japanese soldier who had helped Tom around the time of World War I, and to perform some act of kindness in Japan using $300 pocket money. This was to test whether George was a suitable boy to inherit Tom's YES Ranch.

A leading postwar Japanese film critic and theorist who co-founded the seminal film magazine Eiga Hihyo (Film Criticism) in 1957, Eizo Yamagiwa made his directorial debut with this independent feature—long thought lost until a negative was recently discovered—about a group of idle bourgeois students known as the “Roppongi Tribe” (Roppongi zoku). Depicting the resignation and nihilism of the postwar generation in the years following the Anpo Treaty conflicts through a coming-of-age narrative, Yamagiwa offers sharp criticism of the prevalent characterizations of Japan's new youth offered by Nikkatsu's taiyozoku (“Sun Tribe”) films and the New Wave at large.

A musical about the escapades of some tanuki passing themselves off as humans in human society.

A song-based action drama featuring hit songs by Hiroshi Inoue about a daughter who cries over an innocent crime and a young man who bravely stands up for the truth to help her.

Toho comedy shot in Tohoscope featuring performances from the Peanuts and the Crazy Cats. Original released alongside another Toho comedy, King Kong vs. Godzilla.