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Host Jacques Martin invites different talented children from various backgrounds to showcase their beautiful voices. The participants entertain and wow the audience with their lovely performances.
A talk show presented by Michel Drucker
Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.
A bumbling film crew attempts to make a porno movie.
Le Bébête Show was a satirical puppet show shown on French television. The show was introduced in Stéphane Collaro's Collaroshow on channel TF1, in 1982, before becoming a daily broadcast. Major French political figures were designed by artists: Alain Duverne, Jacques Loup, Jean-Yves Grall... representing as characters similar to those of The Muppet Show, with, for instance, François Mitterrand portrayed as a frog named Kermitterrand, a reference to Kermit the Frog. Most characters were voiced by Jean Roucas, who also acted as the show's host. Although some French politicians expressed appreciation for their caricatures, some have greeted them with less enthusiasm. Jean-Marie Le Pen sued the show, as he disliked being represented as the vampire "Pencassine", shown wearing a traditional girl's costume from Brittany - a reference to "Bécassine", a 1910s classic French comic character, and to Le Pen's origins in Brittany, while retaining his vampire fangs. Édith Cresson expressed great displeasure at her own puppet: she was depicted as an air-headed panther, submissive to the sexual whims of "Kermitterrand". Success began to decline with the competition from Les Guignols de l'info. After Roucas' departure, Collaro revamped the puppets in 1994, but this proved unsuccessful, as the show now looked like an imitation of Les Guignols. The show was eventually canceled in 1995.
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.
Provocative, misunderstood, unloved, cynical poet... Serge Gainsbourg as seen by the women in his life: Juliette Gréco, Vanessa Paradis, Jane Birkin, Brigitte Bardot, Régine, France Gall, Charlotte Gainsbourg, Bambou... An intimate portrait of the man who could not live without them.
The behind-the-scenes story of French television… This documentary unveils the lesser-known history of two audiovisual decades that have shaped today's television. To explain from the break up of the French broadcasting service ORTF, in 1974, to the creation of Arte, via the birth of Canal+, the life and death of La Cinq and the privatization of TF1 — the succession of political, economic and cultural decisions that have shaped what is known as the “PAF” (French Audiovisual Landscape).
From Le Petit Rapporteur to Sous vos applaudissements, from La Lorgnette to L'Ecole des fans, everyone remembers the mythical programs of Jacques Martin, the Sunday afternoon emperor. Through rare archives and the testimonies of his close friends and collaborators, this documentary reveals the hidden sides of this sacred television monster who would have liked to be an artist.
