Bernard Sury

A young Frenchman arrives in Northern California looking to forget a lost love and ends up encountering various forms of feminine power.

A bumbling film crew attempts to make a porno movie.

After his wife and daughter are raped and killed by a motorbike gang, a man sets out to take revenge.

Fred works for an insurance company as a computer engineer. He is bored with enduring the trials of his shrewish wife, so, after using actuarial tables to calculate the most common means of death, he cleverly prepares the family bathroom and brings about her demise. For a while he is content with his new freedom, but then he recognizes that a friend is in a similar situation.

Heralded racing driver Pierre Chaillot has never noticed the pretty young flight attendant who dotes on him adoringly. But when his fiancée's infidelity drives him to the brink of suicide, Pierre's guardian angel takes the form of this stewardess to urge him to choose life. Though the angel confesses her divinity, Pierre is skeptical of the existence of angels. But, despite their difference, the two bond during her brief sojourn in human form.

A Paris real estate developer feels compelled to withdraw from his seemingly perfect life into a world of his own. Is the man going insane? By conventional standards, maybe, but it's clear that the life he's fleeing is madder still from his point of view, and since that point of view is unfailingly witty and astute, we even come to accept his delusions as more "real" than reality.

This documentary addresses the challenges facing the Italian film industry in 1978 by focusing on the television productions of Francesco Rosi's CHRIST STOPPED AT EBOLI (1979) and Elio Petri's LE MANI SPORCHE (1978)

In a small French village, an angel appears disguised as a beautiful young blond.

A hit man fails his contracts because of a young runner.

Handsome and rich Spanish gentleman abandons his wife and riches for his love of a young girl of poor stock who taunts and degrades him.

An imaginary election in an imaginary country, illustrating Barnave's phrase, "The grotesqueness of everyday events hides the true misfortune of passions."

No description available.

A film, directed by Jacques Robin opens with one "truly pornographic scene", while the rest of the footage is mostly simulated.