Taty Godoi

Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.

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Three desperate stories about working life in São Paulo.

São Paulo, 1984. Agostinho, an old and tired Physics professor, is married to Januária, a retired school principal. In his classes, he begins to feel attracted to one of his students, Márcia, an HIV positive teenager. Quickly, the attraction of the two turns into an impossible love.

On the way back from the swimming practice, Janaina is violently approached by the police. Safe back home, she differently faces her relationship with her father Julio, who’s a policeman.

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Luísa is forbidden to go out on the street by her mother after being harassed. At home, imagination is the limit.

Fiction based on a true story of Brazilian workers and people living near a pesticide plant, first owned by Shell and then by BASF, that suffered cancers and other severe health problems as a result of land and groundwater contamination around the plant and their fight for justice.

Ten stories or one. Ten moments in the timeline: 1972, 1999, 1550, 2083, 1891, 2012, 1618 – and the same reality: violence giving the final face to relations in brazil. a slave revolt on a coffee plantation, the torture of an indian, the kidnapping of an ambassador, jews hiding from the inquisition, a tortured woman who sees her torturer in the audience to which she tells the crime committed by him, father and son talking during the second war, a widow who lost everything in “ensiling crisis” and is forced to marry and lose her freedom.

Underneath the so called Brazilian harmony culture; the abyss. Freely inspired by the work of A. Strindberg, "The stronger".

On a remote and isolated island lives a fisherwoman. As the days go by, strange things start to happen, and she can no longer distinguish what is real from what is not.

Riva returns to Brazil and finds herself more alone than ever. Flavia has no time to feel lonely. Their lives intersect and they dream around the soccer fields.

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Othniel Badaró (Murilo Rosa) is a metallurgist who, after working in a factory for 20 years, is fired. The situation is further complicated because Camila (Gabriela Flores), his wife is pregnant. Disgusted, Othniel decides to cut his own arm and signs his resignation with his own blood. From then it becomes next to Cotton reels (Leandro Firmino da Hora), a film student who lives in the slum and maintains a pirate TV channel. It gets even worse when Othniel have your car stolen.

Eugênia is a young black woman who appears to have a normal life but on the inside she struggles to accept the way she looks. Going about with her daily beauty routine, adverse circumstances and a dear friend help her see things from a different point of view.

Roberto works hard in his bicycle shop, looks after his family and pays his taxes. One day, after many years of fixing other peoples bikes and filling in tax returns he realizes he is penniless. Like a good citizen, he decides to file for bankruptcy and while waiting in line at the tax office, he is approached by Nancy, a corrupt fiscal lawyer in search of new people to extort. She gives him her business card and the impression that her firm will help him with his dilemma and save his store from insolvency.