William Bayer

A skilled police detective in a case involving the strange, sadistic murder of a young prostitute who has been killed in exactly the same fashion as a young nightclub singer in Saigon during the Vietnam War. At the same time, the detective attempts to ferret out corruption in the police ranks.

Two corpses are found in different locations with their heads severed and exchanged. Frank Janek is called on to head the team of detectives investigating. Meanwhile, Janek is trying to find out why an old friend and colleague committed suicide, which eventually leads to a romantic situation with photographer Caroline Wallace and the discovery of some major corruption among his superiors, all of which has little or nothing to do with the murder story.

For the third time, Lieutenant Janek is forced to face alone a difficult case, which has some brutal murders that way involving some bigwigs of the underworld. The case is complicated by the fact that one of the victims is his friend Ray Kiley. During the investigation Janek finds out that Kiley worked for counterintelligence.

A New York detective tracks a serial killer who injects his victims with poison at Grand Central Station.

Police lieutenant Frank Janek is investigating a series of murders in a building owned by a famous Broadway producer.

A woman places an ad in the "Soldier of Fortune" magazine to hire a contract killer.

A racially diverse acting troupe takes their stage play on the road, one which they hope will encourage voter registration. Under escalating internal tensions, the actors split into race groups and abandon the show.

This film explores how the conflict with the North affects "South Vietnam's traditional culture, and seeks to explain why the South Vietnamese people still have the will to fight. Included in the film are a funeral procession, family life scenes, fishermen and farmers at work, soldiers moving single file along a dike, and a wedding procession" (US National Archives). A binational production between the United States and the (former) Republic of South Vietnam.

An anthology of five short films ("The Hands of a Stranger", "The Other War", "A Distant Province", "The Eighth District", and "PHILCAG"), made jointly by Vietnamese and American filmmakers. Collectively, the films "explore the faces of the Vietnam war that lie behind the fighting--those that must fight a war against fear, hunger, and despair. [They are] told through the stories of five "faces": a Filipino doctor and a Vietnamese child; a Vietnamese soldier and a Vietnamese villager; an American technical expert; a Saigon youth; and a Philippine Civic Action Group (PHILCAG) contingent" (US National Archives). The film is hosted by an unnamed man speaking to a Filipino audience (in English); so the anthology likely was screened in and/or partly produced with the Philippines.

"This film deals with South Vietnam's "Open Arms" program, designed to encourage communist defectors. The film presents three defectors who tell how Chieu Hoi leaflets persuaded them to desert the North. Their stories offer a candid and telling testimonial against the Viet Cong. The film was produced and directed by William Bayer" (US National Archives).