Julietta Hering

In the life of the editor-in-chief of the glossy magazine Gosha, a shock occurs after meeting a girl named Karina. Once among the victims, the girl comes up with a rather sophisticated revenge plan and goes to the witch. The next morning, Gosha wakes up and discovers that he has become a woman himself.

It’s 1980s. Anna Savelyeva grew up in an orphanage and always wanted to have a family. After turning 18, she heads to Moscow to find her father, General Pechorsky, who doesn’t even know his daughter exists. Soon, he hires Anna for her stenography skills to work on his memoirs. With access to classified documents and state secrets, the government stenographer finds herself dragged into the world of international espionage. This new chapter of her life is full of danger, head-spinning twists, ruthless betrayals and disappointing love.

Alexander Yumatov manages the affairs of his uncle's bank and, by the will of fate, finds himself embroiled in criminal squabbles. He and those close to him suffer from this.

The movie tells the story of Franz, a Waffen-SS soldier who deserts, and Polina, a Belarusian woman whose village is razed and people massacred.

No description available.

She always has a plan. For each his own. For everyone another name. One needs Vera (Faith), another Nadezhda (Hope). And almost all need Liubov (Love). She leaves every one at his own time. She finds a reason. But who knows where deceit ends which people buy only for the sake of money, and when genuine feelings begin? And who knows who she is: just a kept woman in the capital, or an artful swindler, or a talented actress, or a woman who is able only to love? To love them all.

Four women, dividing their world into real and fictional, living only with feelings, constantly craving their own self-realization.

Kolya Semenov grew up in a village, in a fishing village near the river. He likes a girl who wants to become an actress. Once Kolya steals a gazelle to impress the girl. Ahead of him are several years of roads and hills.

Inspired by a 1975 American touring production of Thornton Wilder’s “Our Town” he visited as a young man, Dmitry Krymov’s “Everyone is Here” is a memory piece, a starting point for a flight of imagination and immersion into his own past. Wilder’s “Our Town” is superimposed on the personal memories of Krymov, his biography and events from his family life. The structure of the play gives rise to an interweaving of events, memories, reminiscences, fantasies, associations, dreams - a carefully planned, as if random confusion, which in the finale leads the viewer to a keen awareness of their own life.