Fani Alexaki

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.

Tore Andersson is a depressed 43 year old sport journalist living in Stockholm. His girlfriend has left him so he decides to take a vacation in Cyprus.

In Occupied Athens, a German woman, the wife of a Greek officer, falls in love with a teenage Jewish ice vendor. Love becomes fate: the woman dies and is reborn, living two lives in a world that is rapidly changing.

Three stories dealing with three men and their stance towards life, given their personal background. All stories are held in Northern Greece (Macedonia and Thrace), covering all the spectrum from urban to rural settings.

A family story of incest, decadence and desolation. Greece, early twentieth century. A bourgeois family is on the verge of breaking up. The mother has abandoned the family, and the father, a retired officer, keeps his three daughters, as well as the illegitimate son of the oldest daughter, confined in the house. After his death, the three sisters live through their personal drama. The eldest, Eleni, imbued with the morals of the time and closely identifying with her father, tries to take his place. The middle one, Maria, representing rebellion, goes off with a captain of the sanitation service, while the youngest, Anna, skating on thin ice through all this, is completely destroyed.

Something changes in the relationship of Achilleas and Anna when she starts to dream vividly and insists on relating her dreams to her husband. He is a barrister in the middle of an important murder trial and his temper becomes frayed with Anna's seeming indifference and involvement and preoccupation with her dream world.

Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.

A wealthy member of the upper classes and his three sons withdraw to a country villa where they spend their days in complete idleness, having everything done for them by their young and beautiful maid. They surrender to the pleasure of sleep, while idleness permeates the tiny world of these living dead, with the exception of the woman who is the sole representative of positive values, will-power and action. Finally, the youngest son will try to break free.

An actor's troupe puts up a variety show.

Summer in an Athenian neighborhood, the alarm of a car does not leave their neighbors in peace. But every one has its own problems. Infidelity, robbery, jealousy, flirtation, and family reconciliation on corpses, all pour forth into five intertwined stories

Zissos and Apostolos are two Greeks living in a city in the Ottoman East in the early 20th century. A load of pounds will throw them into wandering and adventure, and from there into their physical and mental impasse. The khan is the halfway point of the journey, in the middle of the adventure.

A 30-year-old man returns from America suffering an existential crisis. He goes to Corfu to see his sick mother and tries to find happiness through a desperate love affair.

A successful building constructor learns that his deceased wife and a famous singer are like two peas in a pod, and enlists her help to pose as his wife for the sake of his little daughter.

With the youthful remembrance of the mysterious beauty he used to secretly admire from afar still etched in his mind, a young man will unexpectedly spot a dead ringer of her and attempt to appease his long-suppressed feelings.

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Chronis, Vaillia and Elftheria are not "IN." They are not featured in glossy magazines. They don't have perfect bodies, they don't make love on the first date. These three characters will cross paths.