Crew
About the retrial of convicted members of a partisan group and its commander, Viliam Žingor.
The glass industry, focusing on the master craftsmen of Bohemian crystal.
No description available.
A parable for the end of totalitarianism. Three protagonists - a high official, a secretary, and a border guard - representative of three generations (1948, 1968, 1988) are forced to confront their ideals and places in society through the events of one strange night.
In 1990, filmmaker Jan Špáta headed to the North Moravian border region to join photographer Jindřich Štreit. His social humanist black-and-white images of the most ordinary life situations were close to his heart and offered themselves as a means of bearing witness to the social and spiritual state of Czech society on the threshold of freedom. "By allowing myself to be carried away by the world of Štreit's photographs, it is, in terms of content, one of my most raw films", Špáta rightly says. Štreit recalls, "I showed him different settings, what he would be interested in, what he would like, and it is true that he had a very easy job in two ways. Firstly, because these people were used to being photographed, and secondly, I chose the most attractive settings and the most attractive people. I knew that they were photogenic and that these were carrying situations".
In 1964, Jan Spáta created his documentary called Nejvetsí prání (1964), an enquette about the desires of the young generation. It was a time of political liberalization in Czechoslovakia and thus also a time of beautiful visons and desires. In 1969, the film was banned. Jan Spata came back to his "Greatest Wish" in 1990 and created a feature documentary comparing that period with the 1989 events. He even found some people interviewed in 1964 and asked them to speak again, now being 25 years older.
The second film from in this category, Etudes for the Electron Microscope (20 min., 1988), is is characterized by formal experimentation in both image and sound.
