
Kim O'Bomsawin
Directing
Biography
Kim O’Bomsawin, an Abenaki, completed a master’s degree in sociology before embarking on her career as a documentary filmmaker, which has earned her numerous awards. Discovering the world of the first peoples is what motivates her approach. President of Terre Innue and Productions Innu Assi since 2020, Kim O’Bomsawin is executive producer on all Terre Innue projects. She also gives conferences in schools and institutions on Aboriginal cinema and on the issues that affect First Peoples.
Known For

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La semaine des 4 Julie

Public figures from different backgrounds meet each week. At first glance, these guests would seem to have little in common. However, something does unite them all: an event or experience that they have graciously agreed to share that justifies their seat at the same table. As the program unfolds, their shared history is gradually revealed.
Y'a du monde à messe
Mykis, a native teenager, accidentally causes the spirit of a faceless young woman to appear. Both end up making a pact: to regain her ability to dance, Mykis will help the spirit to recover her identity.
Ghostdance

Community members tell the histories, experiences, outlooks, and aspirations of 11 different First Nations, illuminating the cultures, the stories, and the resilience of Indigenous peoples whose homelands now host Canada.
Telling Our Story

Following young Anders and his father, Dr. Grant Bruno, of the Samson Cree Nation, this documentary gives viewers unique access to the world of an autistic child, and to follow his father’s journey to bring back traditional First Peoples perspectives in our contemporary world.
They are Sacred

Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
Ninan Auassat: We, the Children
Sixty snowmobilers, indigenous and non-indigenous, join forces to take part in a huge snowmobiling expedition: a 3500 km journey to be completed in 16 days. The goal: to cross a large swath of Quebec to work towards reconciliation between peoples. In this choral film, which is as much a physical ordeal as a spiritual and psychological one, the participants take on the mission of raising public awareness of the issues dear to their communities. Through the challenges posed by the weather and the long daily journeys that put the group to the test, a powerful bond is forged between the participants, who face enormous adversity. A journey on the land of ancestors that reveals the strength of togetherness.
3500 km de sentiers partagés

Florent Vollant, an iconic musician of the Innu nation, feels the urgent need to tell his story like never before. Co-founder of the celebrated duo Kashtin, renowned for his acclaimed solo albums and as a political activist in defense of his culture, Florent now has limited mobility due to a stroke. As he enters a new chapter of his life, he remains committed to creating, transmitting and dreaming up new projects.
Florent Vollant – Innu
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Du teweikan à l'électro : voyage aux sources de la musique autochtone

An examination of the issue of missing and murdered Indigenous women, the film explores the reasons why Indigenous women are uniquely vulnerable to violence by juxtaposing the stories of some missing or murdered women with the personal testimonies of women who are doing activism on the issue and women who have personally survived incidents of violence.
Quiet Killing

On a cold winter's day in 1940, Jules and his family move to live with his uncle, mayor of a settler's village in northern Quebec. He is banned from school because of his rare skin disease. From that moment on, his greatest wish is to be cured. When his dog Spark runs away into the wild forest, Jules has no choice but to look for him. On his way, he meets Asha, a mysterious young indigenous girl. Together, they venture to the other side of the forest, where nature reveals itself full of life and secrets.
Adventures in the Land of Asha

O’Bomsawin enjoys a deep rapport with her gregarious subject, who recounts her life primarily through celebrating the friendships she found along the way.
Call Me Human

On Quebec's North Shore, the Magpie River is one of the last free-flowing rivers in this part of the world. In 2021, it became the first river in North America to gain legal rights through legal personhood.
Je suis Magpie
More than an attachment to our territory, the Innu live a filial relationship with Nitassinan, our ancestral homeland. For so many generations, the land has nourished, cared for and raised us. It has inspired our language, our culture, our lifeway and our vision of the world. Throughout the seasons, our ancestors criss-crossed the territory on foot, by canoe or on snowshoes. They knew every river, lake, or stream; every mountain, hill or bog; every camp, trail and portage path. Nomadism forged our people, and the film will record this journey and our history – past, present and future. And while it will attest to our vitality and resilience it is also – and above all – a tribute and a message of respect for the Earth.