Yuliya Sevela

A young boy in Cuba finds himself in mortal peril as his fishing village gets infiltrated by malign forces.

Siberia, 1916-1917. Bolshevik Pyotr Sapozhkov is engaged in revolutionary propaganda and agitation in a small Siberian town after the end of his exile. He is assisted by his wife Varya. After the February Revolution, the Bolshevik party is still outlawed, Pyotr and Varya go into hiding and face arrest. The guards manage to capture their son Timu and the boy is taken to an orphanage.

In post-war Armenia, physicist Artyom buries himself in work, haunted by the loss of his wife in WWII, unable to let go of the past. Meanwhile, young Tanya refuses to accept her stepfather, still waiting for her real father, missing in action for years. Their parallel journeys explore memory, loss, and the weight of history—both personal and national. As Artyom grapples with the dilemma of remembering versus forgetting, the film becomes a meditation on identity, time, and the inescapable pull of the past. Partially based on the life of prominent Soviet-Armenian scientist Artem Alikhanyan, Hello, It’s Me! is a deeply reflective exploration of history’s grip on both individuals and nations.