Antonín Kopřiva

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Honza Pavelka (Jan Hrusínský) wins the junior motorbike speed races. His thirteen-year-old brother Martin (Roman Cada), his assistant and biggest fan, answers the questions of his schoolfriend Pavlína in a superior tone. Student Zuzana (Libuse Safránková), who gave her scarf to Honza to wear around his neck for the races as a talisman is Honza's girlfriend. He met her when he came to her parent's home to repair the TV set. Honza declines an invitation to celebration with his friends. He goes off with Zuzana instead, but she refuses his intimate advances. The offended young man, who is about to serve his two years in the army, tries to blackmail her emotionally and the couple breaks up. Martin tries various schemes to bring them together again.

The news that the television is going to make a film about the cooperative's leisure activities leads the locals to extraordinary social and sporting activity, but the only result is a chain of endless confusions, misunderstandings and disasters...

Technical school student Pavel Brychta, arrives at a youth correctional facility located within a chateau in Konečno. He is an atypical, but not hopeless case for the institution. Pavel comes from a well-off family and his antisocial behaviour on the verge of criminality was some kind of response to his difficult relationship with his authoritative father. However, it takes quite some effort for Pavel to find his place in this environment of bullying, and also diverse methods from the tutors

In the 1980s, the building themes were transformed into bipolar moral dilemmas involving overly ambitious individuals who wanted to excel at any cost. The hero is the head of a demolition crew that demolishes large buildings, initially a sympathetic young man who, in the pursuit of career and accolades, begins to transgress the boundaries of what was then called socialist morality and legality. He gradually finds himself at odds with the principles of ordinary but honest people. The narrative's bland, proclamatory film is closely connected to its time of creation, and there are hardly any more timeless insights to be found.

A British citizen by the name of George Reiner (Jirí Sovák) arrives at Prague airport. He was once a Czech safe-breaker, and has now returned home after thirty years to steal twenty-dollar gold coins still kept in the safe at a private villa in Pilsen whose owner fled to the West.

A story of love and honor that takes place during the mid-nineteenth century during revolutions, as well as economic, political, and social hypocrisy. Two extraordinary but lonely artists share a passionate love, as evidenced by the preserved letters that they exchanged.

The holidays of Vince Adamek, a student of the agricultural school in his native village in South Moravia, are purely working. He likes his job as a zootechnician so much that he seems to turn down an assistant position at the university...

Owners of all kinds of animals and birds, from puppies to sick calves and grasshoppers, come to the veterinary "hospital". They meet with the professionalism and helpfulness of the doctors and especially with the attending nurse Miluska, who finds a kind caress, a smile and help for every creature. She even gets the doctor to visit a sick grasshopper, which its rather stubborn owner left without treatment. There's a bit of loving reverie on Milushka's part, too, because she liked the young man who came with the mare. But it remained just a nice, if a bit silly dream, because the young man is married. But the daily reality overcomes that bit of sadness and Milushka remains faithful to her patients...

The teenage hero tries his best to meet the nomination limit for important races, but his coach's insensitive approach causes him to temporarily lose motivation and even give up on sports...

After a few months at the spa, 14-year-old Pavel discovers that his love, his classmate Zuzana, has outgrown him. In addition, she has found a new boy classmate, who is nicknamed Eifelák because of his height. This is a big shock for Pavel and like a proper teenager he is very worried, he invents blood feuds which usually turn against him, in short he is completely distraught. His problems and suffering are understood more by his grandfather than by his busy parents. But the right patch for the wound is found in the form of another girl whom Pavel meets by chance and who is very special...

A young woman named Alena discovers her fiancé Pavel's repeated infidelity. After meeting with her former married boyfriend, she loses control of her car and crashes. The result is tragic: severe injuries to her head, spinal cord, and spine. Even after several months, doctors and parents consider her condition hopeless. The only ones who do not lose faith in her recovery are the doctor in the rehabilitation department and her grandmother, who takes care of her. The others cannot cope psychologically with the situation that has changed their lives. Hopelessness and helplessness influence their actions. Will they be able to find the strength to overcome their selfishness and help not only Alena but also themselves?

Luděk Krejza, a tile-layer, returns from prison after serving time for manslaughter. In a retrospective, the viewer is introduced to his story. It is a not very well-known film, which with the passage of time has completely disappeared from the awareness of even the more deeply informed interested in domestic cinema. The song "Dudes, you're on" is sung by the Yo Yo Band.

Cyril Dadák (Václav Postránecký), a TV reporter falls in love at first sight with a young engineer Milena (Jaroslava Obermaierová) while he makes a reportage in a chemical factory. Milena has been dating for several years with a test driver Pavel (Rudolf Jelínek), however when she meets Cyril she feels that he might be the Mr Right. She accepts Cyril's invitation for a date and she spends a night with him. In the morning she finds in her flat Pavel. She wants to explain to him everything but Pavel makes coffee with a smile and gives her back the keys from the flat.

In a South Moravian wine-growing village in the early 1970s lives an old man who cannot accept the attitude of the younger generation towards nature and agriculture. Director Hynek Bočan made a number of films based on Jan Kostrhun's drafts, mostly set in the South Moravian environment (including The Face Behind the Glass), but the portraits were very flat. Relationships between people were often depicted in predictable schemes. The hero this time is an old villager who is struggling to cope with the changes in his attitude to nature and to agricultural work in general. He sees his only hope in his grandson, to whom he tries to pass on his life experience.

Three men want to make their mark on Czech history. One filmmaker senses an opportunity. And among them is a girl determined to uncover the secrets of her missing father. Richard Bartyzal believed he was just one step away from discovering evidence of collaboration between the Nazis and the Vatican. Together with his friends, he wanted to find Adolf Hitler's personal archive, allegedly hidden during the May uprising of Czech patriots. And ceremoniously hand it over to the state. However, the opponent they encounter is beyond their strength. Now they are missing. The police accuse them of robbery and murder. Petra Bartyzalová has only one option left. To study the materials her father filmed and follow in his footsteps. What she discovers forces her to reevaluate her relationship with him. She searches for her father in order to find herself.

Sudetenland, May 1945. A group of retreating German soldiers capture a group of young female workers, totally deployed in a chemical factory. He wants to use them as hostages during his advance to the American demarcation line. Together with them, they take refuge in a nearby castle, which soon becomes the site of the last battle that takes place both in the minds and in the backdrop of war-torn Czechoslovakia, shortly before liberation. A psychological probe as well as an intimate drama set within the walls of a small castle, it is a mosaic of mini-stories charting the fates, attitudes and thought processes of individual characters on both sides of the barricade.