Samantha Lawson

Exit is based on the true stories of four men in their mid-30s, who all became multi-millionaires before the age of thirty. Attempting to escape from their obligations, expectations and families, they employ drugs, prostitutes, and their very own set of morals.

A boy's life is turned upside down when he learns that he is the last of a group of immortal warriors who have dedicated their lives to fighting the forces of the dark.

The curious Nora, Simen and Lars decide to start the hunt for the sacred Olav shrine in or around the medieval church Nidaros Dome, which has been gone for hundred of years. But they are not the only ones interested in finding the treasure.

From early rehearsals to the final performance, this in-depth exploration provides a behind-the-scenes look at how the RSC reimagined a Shakespearean classic for modern audiences. As Gregory Doran's directorial vision unfolds, traditional African dance is seamlessly integrated into Caesar's triumphant entrance and Mark Antony's funeral speech, while the set designers create a palpable atmosphere of dictatorship and unrest. Cyril Nri (Cassius) discusses how the cast draws on African leadership archetypes to infuse the narrative with cultural relevance, and Paterson Joseph (Brutus) reflects on his character's internal conflict, highlighting how it mirrors the difficult choices faced by contemporary revolutionaries. The documentary intersperses live performances with audience reactions, highlighting the powerful resonance of the adaptation.

Just another day on the bus.

Astrid is one of the winners of Generation Mars; a reality show sending the first humans to Mars, never to return.

A short film where issues related to gender, race and power structures are explored.