Pablo García Canga
Directing
Biography
Diploma in Film Direction from the Fémis de Paris. Apart from director, he has also written the script for several shorts. He is also a translator and critic in several specialized magazines (Lumière, Détour, SoFilm ...).
Known For
María has a steady job and a quiet life, but her father’s death forces her to examine her feelings. Juan, with whom she has had an affair, is a musician and music teacher. After a series of meetings and arguments, they will share a moment of understanding and honesty.
The Policy Line
No description available.
Pissing Territories
30 minutes. Lots of dialogues. On friendship. On love. On memory. On oblivion. And a bit of democracy, too.
De l’amitié
One night. One city. Madrid. Five conversations. Nine characters. They tell personal stories, invented stories, also an old story that goes on from conversation to conversation, a story from an old Japanese film.
Las Tierras del Cielo
Around 1873, in a lost place in the West, a failed poet, a brave young woman and a mute teenager seek happiness by the side of a potato field.
Du côté de l'ouest lointain
No description available.
Retrato en dos tiempos
No description available.
Din que non falan
the daily life of a park in Paris. "I come here because I can meet people, even if I don't know French. In my town in Portugal there is a lot of nature, that's why I like coming, I feel a bit like in my town."
Square Léon Serpollet
A boy met a girl. They spent some time together, they went to the movies often, they gave away things, they traveled. The girl leaves the boy. The boy believed that she was the woman of his life. She gives him a notebook with drawings (the best he knows how to do) and with all the tickets of all the movies that he went to see. The boy takes a camera. A 22-year-old boy who exposes himself in such a way in a film, which expresses himself in the first person offering us some pages of a newspaper, his, which no other person could write in his place, talking to us without concessions of his first history of love and the pain of a break, is not frequent. A boy who shares his pain, the need to film what he loves and what he is losing, his learning of life and the world through cinema -the cinema alone- is also infrequent. A gesture of a filmmaker.
Para Julia
No description available.
Os prexuízos da auga
Ana records an audio message to an old friend. She doubts.
Por la pista vacía
No description available.
Tu trembleras pour moi
A sculptor sets up his studio in a remote rural area on the Galician coast. He gradually isolates himself, cutting contact with friends and family. A former lover's visit prompts him to reflect on his isolation and need to flee again.
And So the Night Fell
a French music group stagnates in a house, waiting for their Mexican singer, who has been missing for several days
Quand est-ce que tu atterriras?
No description available.
vaca
No description available.
Cuando supo que estaba muerto
The Night. She doesn't sleep. She calls. She tells. She saw a movie. This film tells the story of two nights. One night which is not seen in images, existing only in the words of The Clock, by Minnelli, an old Hollywood film. One night which is seen in images but about which we hardly know anything, those of a woman who talks about the Clock. So, in fact there are two films, two stories that come together at the same time, getting closer, and moving away, merging with what they have in common: desire, night and the city.
The Night Before
Buenos Aires. a soccer academy for children. a day of games away from home. a twelve-year-old boy, his father and coach, his mother, his little sister, other families, a pool table, a defeat. we played but...
Hemos jugado, pero...
years ago. letter to a friend filmed at Pere-Lachaise. about Antonio Drove, about submarines, about pending projects...
Carta a Luis
Alicia is twenty-five years old. Alicia does stuff. Alicia is boring herself… that’s what she believes.