Paulo Carneiro

Machado, a Colombian living in France, is hired to return to his hometown of Medellín and steal an emerald. During the risky execution of his plan, he becomes entangled in a series of events that lead him to reconsider the ultimate goal of his mission.

Glória manages to get a divorce and moves away, taking her daughters and the desire to start over. As she tries to turn the new house into a home and her body into a place of belonging, she faces, on the factory floor, a delicate competition for a supervisor position between colleagues and her best friend. Courage takes shape as anguish seeps into the flesh.

In a remote village called Bostofrio, a young filmmaker breaks the law of silence in order to unearth the story of his grandfather. A series of awkward and funny interviews that reveal the secrets and half truths that are the fabric of rural Portugal.

Certainly an outstanding case of beauty and mystery, this short film by Mozos creates a strange alloy of literature and cinema, and not in the way one discipline is a vampire for the other, but rather as if they were the different faces of the same coin, drawn to coexist and repel each other. As if every film belonged to a lonely species, Ashes and Embers shows a unique arrogance as it trembles, somewhat defenseless, with no certainty that the folds of fiction constitute any kind of survival guarantee for such strange objects. Memory and ghosts are two words that are easily said, but in this singular and very refined film they seem destined to become the ultimate goal of cinema, and its most endurable desire.

On an interstellar journey, a group of scientists studies the last living vestiges of Earth. The artificial intelligence, Museo, becomes a portal to the crew’s diaries and a fragmented archive of humanity. On Earth, the one believed to be the last of the humans traverses a ruined planet that is slowly recovering, little by little, from the apocalypse it endured.

The community of Covas do Barroso, in northern Portugal, discovers that the British company Savannah Resources plans to build the largest open-pit lithium mine in Europe just few meters from their homes. Confronted by this imminent threat, the People decide to organize themselves and expel the company from their lands.

A car aficionado, filmmaker Paulo Carneiro travels 2000 kilometres to meet car enthusiasts of the Portuguese community in exile. In a pop and urban universe, Périphérique Nord explores this shared passion and the freedom it provides for these exiled persons who seem to finally find (once again) a territory of their own.

In mid-summer 2011, Paulo Carneiro and set out as assistant director for a film crew working on a project on the west African coast. There he unexpectedly ended up shooting his own film, a documentary report about a sinking ship near the coast of Guinea-Bissau on which he was a passenger. The digital camera records the growing panic on the ship after it has gotten stuck in the ocean in an oppressive nighttime atmosphere. In shaky interview footage, we see passengers move from an initial apathy to nervous anxiety, and from there fluidly to a fear for their lives. The growing tension on board is reflected in the film's ever quickening tempo.

Steeped in the isolation of suburban Tasmania, Imogen and Audrey reflect on their lives, families and dreams between puffs on bongs, vapes and cigs. Dark clouds approach in the conversation and landscape as local wildlife looks on indifferently. Beyond the drugs and arcades, what possible routes of escape remain?

From a human point of view, a mountain is a barrier and a place of passage. Mountains have always been natural frontiers between territories. Nuno Escudeiro collected stories in Briançon, in the French High Alps, and in the Susa Valley, in the western part of Piedmont, and to these he added home movies from the Superottimisti Archivo di Film di Famiglia.

In this love story, a young couple faces an uncertain future between Africa and Europe. When they reunite in Lisbon, sharing a house with other immigrants, farness and closeness will test their relationship.

Lucy, regarded as crazy, has a son.

Chã das Caldeiras, at an altitude of 2000m, is a town within the caldera of the Fogo volcano, in Cape Verde. In the last eruption in 2015, the town was almost completely destroyed.

Between light, metal and silver, a collection of solidarity pins turns into an archive of another scale: spectres of exile and international struggle against Portugal’s fascist and colonial regime.

Letter from a son to a mother.