Indiana Massara

A group of single parents lean on each other to help raise their 7-year-old kids and maintain some kind of personal lives outside of parenthood.

Rhyme and her friends - known by their 'ship name, "The Chicken Girls" - have been dancing together forever. But this year, everything's changing.

Birdie and Rooney navigate their first years on campus. In doing so, they’ll form their own groups of “chicken girls”.

A teenage coding genius has just 30 days to create the world's greatest video game or his family loses everything. No pressure.

On the edge of revolutionary change at their all boys private high school, three friends set out to have one last great weekend while dodging authority, love affairs and violent foes in the longest weekend of their lives.

When an old film roll goes missing at the film lab, an unexpected connection with a stranger helps Rooney confront her heartbreak and learn to move on.

In Holiday Spectacular, Rhyme and Cassie, who are from two different complicated stories, meet up. Cassie is doing community service in the mall. Meanwhile, Ryme ends up getting a job as one of Santas elfs, as her friends are all on vacation.

With a new principal in town and the Spring Fling in jeopardy, Rhyme and the Chicken Girls must band together to save the dance.

Faced with another long summer of hard and strenuous work at the Crown Lake country club, Rhyme and Effie jump at the opportunity to work as fashion interns at the high-end magazine “Très Chic.”

Set in the summer of 1976, we follow three teens on a roadtrip to track down the lost members of a forgotten local rock band.

DILLON, an intensely ambitious twentysomething, orchestrates all aspects of her life, including her own surprise-going-away party. The party is at Dillon’s local honky tonk in her rural Oklahoma town the week before she and her longtime boyfriend, BEAU, are set to move to New York City to chase their dream of becoming filmmakers. Being the aspiring film director that she is, Dillon breaks the fourth wall to direct the movie as we watch it. She experiments with different film genres to show us how she wants the night to go, but reality inevitably takes over. In an argument in the parking lot, Beau reveals the truth: he doesn’t want to move. Dillon tries to rewind and start the scene over, but she can’t make the camera listen to her anymore; she’s lost control of the narrative. Left alone in the rain, Dillon must choose: stay behind with the person she loves or charge forward toward the life she’s fought for.