Acting
A culture show set hosted by Marc Labrèche and his collaborators, Simon Boulerice, Émilie Perreault and Fred Savard. Each week, based on a significant year in history, they revisit a cultural event of a previous era and compare it with today’s yardstick. The hosts and their guests examine subjects that link the chosen year to what’s hot in cultural circles right now.
The show explores the impact and evolution of people, issues and events in the province’s history.
In October 1970, members of the Front de Libération du Québec (FLQ) kidnapped and murdered Minister Pierre Laporte, part of an unprecedented crisis in Quebec. Fifty years later, Félix Rose tries to understand what could have led his father and uncle to commit such crimes. Thanks to his uncle Jacques, who agrees for the first time to speak on the subject, and to the traces left by his father Paul, he revives the heritage of a Quebec working class family. The fruit of ten years of research, Les Rose allows us to revisit a time and people that we knew through clichés, and gives a glimpse of the experiences of a rebellious youth and the crimes that followed.
A short film made in 1987 on the occasion of Serge Lemoyne's exhibition "Station supplémentaire. Hommage aux artistes vivants". The exhibition paid homage to several figures of the contemporary art scene whom the painter named as influences : Jean-Paul Riopelle, Pierre Gauvreau, Ulysse Comtois, Armand Vaillancourt, COZIC, Yves Gaucher, François Sullivan, Guido Molinari, Claude Tousignant and "the unknown artists".
No description available.
Quebec, on the cusp of the 1960s. The province is on the brink of momentous change. Deftly selecting clips from nearly 200 films from the National Film Board of Canada archives, director Luc Bourdon reinterprets the historical record, offering us a new and distinctive perspective on the Quiet Revolution.
Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.
A road movie whose journey intersects with and extends the events of the International Counter-Culture Meeting that took place in 1975 in Montreal. This meeting, at the heart of the film, features several important figures of the counterculture in Quebec. Throughout the film, these individuals, often through their creative endeavors, question the evolution of their society and counterculture itself.
