Acting
A rich businessman, Bhawani Chatterjee, offers a job to Mamta, a widow, at his office. Later, he requests her to marry one of his grandsons.
The story of an old peasant,Bancharam (Mitra),who defeats the tyrannical landlord Chhakari (Dey).Inheriting a dry patch of land, Bancharam converts it into a fabulous garden.The British magistrate supports him when Chhakari attempts to acquire the garden, after which he dies. Chhakari's son Nakari tries a new stratagem: he promises Bancharam Rs 400 every month provided Bancharam bequeaths his garden to the landowner after his death. Bancharam agrees but amazingly becomes healthier with every passing day, repeatedly promising to die but failing to do so.
Atindranath Bannerjee, a retired teacher, faces harassment from his family members and decides to discipline them. Later, he shifts to a slum and starts teaching underprivileged children.
Burning with a desire to be a journalist, a young man gets his chance when a publisher -- the father of a friend -- suggests that he write a story on the daily life of the people in his house (several families worth of people). The material turns out to be too incohesive and abundant to work into a pointed, thematic article, and just when he is about to give up, his younger brother asks him a simple question: "How many coal burners are there in Calcutta?" This triggers an idea for a story about Calcutta's pollution -- and the aspiring journalist dreams of myriads of burner-toting citizens invading the publisher's home demanding redress. Maybe he is finally on the way to a story that matters.
It is a film of the childhood tragedic story of three siblings, wher their father lost his job and his family people killed him. The childhood life of those people was in the ancient Darjeeling during the british rule. One of the sibling was recalling the whole past and was writing about that after the independence of Inida. he then went to meet his siblings in distance places, but found them in much much more traumatising and proverty situations, but could not help them.
This is a story about a horse named Siraj. After the death of Sundarlal's parents, a person gave him shelter who had a horse named Siraj. When that person died Sundarlal joined a circus company with Siraj. There Sundarlal meets Rupa and both fall in love. After some time Sundar and Rupa leaves the job with Siraj. But Siraj, forever faithfull to Sundarlal becomes ill and dies after winning a race.
Nepal and Habul are uncle (Kaka) and nephew (bhaipo). For becoming hero in cinema they stole Rs. ten lakh and left home. Assuring double the money, one dishonest sadhu cheated that Ten lakh Rupees. Having no other alternative, they took the work of home servant in the house of an industrialist. A love grown up with the daughter of industrialist and kaka-bhaipo. After misunderstanding, the love matured at the end.
No description available.
The film is about a woman belonging to nomadic tribe from Andhra Pradesh, known as crow hunters, who elopes and moves to south Bengal and makes a living by occult practices. It deals with the issue of exploitation of tribal people by the deceitful landlord.
A man gives shelter to a beautiful girl who has been a victim of rape and has also witnessed a murder. He gives her hope to live again and they fall in love with each other.
Raja Roychowdhury and his nephew Santu travel to the Andaman and Nicobar Islands to solve the mystery behind the continuous disappearance of researchers at a remote island inhabited only by a primitive tribe.
A pre-teen servant boy dies of suspected carbon monoxide poisoning on a cold winter night in the kitchen. The household is suddenly plunged into psychological turmoil, torn between guilt and fear of a police investigation and the resulting scandal. As events unfold, the employer and his wife reveal their petty, hypocritical selves.
Ravi, a wealthy model, leaves his father's business after unsatisfactory modeling work and returns to his parents' home to join struggle students and revolutionary Manohar.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
The film narrates the life of a little boy and his ostracized mother who is isolated from him as she is believed to be a witch in the village she lives in. It is based on a Bengali short story named Baen written by the renowned Indian author Mahasweta Devi.
The film features the characters from Satyajit Ray's Aranyer Din Ratri, returning to the forest over thirty years later. Ashim, Sanjoy, Harinath and Aparna have grown old in this film; Shekhar has died. They set out on a journey to break off every link with civilisation for a few days. However, the trip turns sour when Ashim and Aparna's daughter, Amrita, goes missing. It transpires that she is being held for ransom by local tribespeople. Police intervene and the kidnapped girl is returned to her parents, albeit against her own wishes.
A teacher witnesses a murder committed by his ex-student, who restricts him from giving his statement to the police. An atmosphere of terror ensues and the teacher must decide if to muster courage and approach the police at a personal loss.
Byomkesh is invited by a police officer to help him investigate a most spooky mystery. A house has been the source of trouble for its current and former resident. Baikuntha Das, the original inhabitant of the house was a goldsmith, he had 51 precious jewels in his possession which he kept somewhere hidden in the house. The poor goldsmith was brutally murdered and the jewels stolen, now the current resident, Kailashbabu, claims that the ghost of Baikuntha Das is haunting him. Byomkesh and Awjeet dismiss this as the ravings of a neurotic and decide to pay him a visit, but then the duo discover first hand that Kailashbabu might not be lying.
Sexy Sunita, who hails from a rich family, is mesmerised by Gopal's music. Their interactions over time compel them to believe they were lovers in their past lives.
A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.
