Ludwig Wüst
Directing
Known For
No description available.
Koma
A man leaves a woman, a woman leaves a man. Both meet for a short while. Great changes await them at the end of this journey.
Departure
Inspired by Arthur Schnitzler’s scandalous drama Reigen and Chantal Akerman’s famous film Tout en Nuit, the viewer witnesses a modern cycle of love. The film portrays fleeting moments of happiness and disappointment: a young woman talks about her non-binary existence. We observe another woman who, after long years of marriage, finally leaves her home to embark on her first romantic adventure in a hotel room with a “blind date”. This is followed by a drunken drive home for a couple, whose nighttime outing ends in a dark landscape. To be continued!
#Love
Pilot of an episodic film of the same name, the scenes of which all take place in a shabby hourly hotel in Vienna.
Hotel
No description available.
Abschied
Ludwig Wüst shows a mysterious meeting in Ostia, at the very place where Pier Paolo Pasolini was killed on November 2, 1975. A stranger tells that back then everything was different and that he is the only one that knows the real story of Pasolini's death
PASOLINICODE02112011
Two friends, Martin and Anthony, meet after 15 years, share memories and reflect on their present lives. During their encounter, they go deep in the past of Martin's childhood to reveal a traumatic experience.
3.30 PM
No description available.
Das Haus meines Vaters
In I AM HERE!, Wüst gave 16mm and its limitations on shooting a try, resulting in one of his most beautiful and intense works. Little happens outside childhood friends Monika and Martin talking while walking through a forest towards a barren field and a car. Their talk is simultaneously incessant and halting as they circle a history of hurt from their younger days.
I AM HERE!
No description available.
Ecce Homo
A woman sets out to meet her rapist, 20 years after the crime.
(no title)
ABC is a journey through twenty-five years of film work, a visual alphabet of sorts that tells of thematic diversity in the three primary colors. A tells of Ludwig Wüst’s first journey to Egypt, a country where his desire to become a filmmaker was born when these unplanned recordings were shot. B is concerned with Wüst’s major theme in life: friendship. C is a poetic condensation on the issue of human existence.
ABC
A woman travels through Egypt. Ludwig Wüst`s first film, based on a piece by author Ingeborg Bachmann.
Ägyptische Finsternis
After the death of her husband, a woman learns about his affaire.