Ai Xiaoming
Directing
Known For
The launch and development of the Great Proletarian Cultural Revolution not only has a series of CCP Central Committee documents that have promoted wave after wave of movements, but also has various propaganda methods. A large number of different types of literary and artistic products have been produced in a collective form and with the input of the State. As a weapon of revolutionary struggle, works of art are important representatives of this period. Art was a tool for the Cultural Revolution; it fully embodies its aesthetic characteristics, actively cooperating with the development of various movements and the popularization of ideas. It has cultivated the values and visual experience of a generation of Chinese people — the paintings of the Cultural Revolution have been regarded as treasures by Chinese collectors. This film shows the characteristics of the Cultural Revolution paintings through a large number of paintings, as well as the bloody violence and despotism behind them.
Red Art
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你拿摄影机干什么
Tayuan is the location of the first museum of the Cultural Revolution in China. However, this important Cultural Revolution museum was established with private funds. The reason for its construction here is that there is a tomb of the victims of the Cultural Revolution. This film documents the little-known massacre and the construction of the Cultural Revolution Museum in Shantou, Guangdong during the Cultural Revolution. However, a few years later, this museum was banned by the government.
Tayuan
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Sex，Gender And Rights in Asia
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夹边沟祭事
Recounts the struggle of the villagers of Taishi against local authorities in 2005.
Taishi Village
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People’s Delegate YAO Lifa
the disappointments and hopes of Wukan villagers at the height of their dramatic protests against the government’s seizure of their farmland. Ai and a group of volunteers secretly entered the village on December 19, 2011, the day Shanwei City Party Secretary Zheng Yanxiong’s speech on the protests was delivered to the village. In the next two days, the provincial party officials entered the village and the provincial vice party secretary met with the villagers’ representative, recognizing his and other representatives’ legitimacy. Ai’s documentary, with interviews of villagers, therefore records Wukan’s protests as it turned a new page.
Three Days in Wukan
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The River of Forgetting
By following the case of Huang Jing, a woman teacher who died of date rape, this documentary captures changes in China between 2003 and 2005, before and after the injunction to respect and protect human rights was incorporated into the constitution. By highlighting grassroots activity by women, the film illustrates awareness of human rights, women’s struggle against judicial corruption, and women taking action against domestic violence in China.
Garden in Heaven
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Enemy of the State
Jiabiangou Elegy recounts the persecution of inmates at the Jiabiangou labor camp in Jiuquan, Gansu province, and examines the way the victims’ final affairs were handled. During the Anti-Rightist Campaign of 1957–59, over three thousand people were sent to Jiabiangou for re-education through labor. These people were labeled rightists, counterrevolutionaries, and anti-party dissidents. Over a three-year period, more than two thousand died from abuse and hunger; only a few hundred were rescued in the end. The film includes interviews with the few remaining Jiabiangou survivors and their children, and presents the conflict between the preservation and destruction of memory.
Jiabiangou Elegy: Life and Death of the Rightists
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Why the Flowers Are So Red
In the spring of 2004, a female graduate student was killed at Sun Yat-sen University in Guangzhou, but it was confirmed on the school's website that girls should not refuse male love. This film documents how Chinese professor Ai Xiaoming led the fight back against such patriarchal thinking.
The White Ribbon
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The Train To My Hometown
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GO HOME, CHEN YUNFEI
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Pasture of the Soul
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The Vagina Monologues
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Sex，Gender And Rights in Asia
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