Jean-Marc Vervoort

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.

A journey inside a picture thus offers the opportunity to travel through Belgium at the approach of the 21st century, and also to bring up a host of questions an what the eye sees: what do we see disappearing under our very eye? Why do we look at specific things? What is a point of view?

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The pendulum swings from left to right punctuating the well-oiled mechanics of the routine life of Mrs. Foucault and her submissive husband. But one day, someone is going to barge in on them and break this daily rhythm.