Nilgün Karababa

No description available.

No description available.

A couple with no kids, four city girls and three country boys, all under the same roof: arguing, fighting and sometimes understanding they are not that much different.

A Turkish mortician in his 30s, Baki is an introverted man content with his isolation from society. However, when he comes up against death at close range, a troubling question strikes him: who would wash his body after he dies? This realization pushes him to venture out into the world, hoping to connect with people and perhaps even find a spouse. Yet, his life-changing decision proves difficult to go through with, leading to a series of awkwardly humorous and sometimes bizarre situations.

Zeynep relatives come to the land of Fikriye and win the love of the girls with purity. Ati, Zafer and Umutcan decide to keep the house overlooking the Girls Dorm. Men are living inside while girls are strolling in the yard. Insurances and electricity are cut off during the downturn. The plumber Ozgur, who is admired by all the girls, is called to dorm.

1960s Turkey countryside. A newly assigned teacher finds out that the solitary village is missing a school. He gets fond of the village people and especially a disabled man. The teacher helps the village to build a new school and educate the children and the disabled man.

No description available.

The tragic story of a little girl who was raised up as a servant girl in a grumpy woman's home.

No description available.

No description available.

No description available.

No description available.

No description available.

A feature film that tells the story of the director's grandfather who was forced to leave Crete in the 1920s during the Greek-Turkish population exchange.

In this story set in ancient times, 31 women who lost their husbands, fathers, and children in war rise up against their lack of men after many years and demand that the state send them men to marry and have children. Five single men from different regions and cultures are selected at a porter market in Istanbul to marry these 31 women. The selected men, unaware of what awaits them, believe they are going to war. However, the porters, referred to as "human donkeys," find themselves in a completely different adventure instead of the front lines.

No description available.

The bus driver who has been working on the same line for years has retired. Therefore, the people of the district will meet with Lütfü, a new driver. Lütfü who tries to get used to the district is in a contention with Sadenaz, who grows on the end of the bus every morning. Although the bus's departure time has already passed, this sympathetic girl runs on the bus like a storm, before Lütfü's annoyance. However, in the course of time, a friendship between Sadenaz and Lütfü is formed. Lütfü does not move every morning before Sadenaz arrives. One day, grace runs the timepiece to measure the speed of the Sadenaz. The speed of the Sadenaz corresponds to a speed that national athletes can run. The idea of ​​being a runner for Sadenaz who loves running is interesting. Because it is possible to draw the attention of Berk in this way.

Güney, who is an archaeologist, sets out for Sahilköy when he finds out that his father Salih wants to build a hotel in a historic area. Güney meets Derya, an activist from the village who is also against the construction of the hotel. Things get complicated for Salih, who is ready for any kind of deception, learns that his son is going to Sahilköy. Güney will be caught between his ex-girlfriend Seda, those who want treasure in the village, and those who want a hotel.

The villagers squeeze Güney, Derya, and her family for information, trying to learn if the rumor they heard is true. Fun and amusing events break out as Güney proposes to Derya, Seda hovers around Güney, causing chaos, and the villagers take sides as treasure hunters and hoteliers.

Derya is angry with Güney. Güney consults imam Suphi on the issue and the imam refers him to Deniz. Seda does not give up on her love. She buys a caravan and settles in the village and begins to gather information about Derya. Seda finds out that Derya is not Sadri's daughter. Showing the file, Seda tells Güney that the family is a swindler and Derya is not Sadri's own daughter. They are all shocked.