Gregory Gaye

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Mission: Impossible is an American television series that was created and initially produced by Bruce Geller. It chronicles the missions of a team of secret government agents known as the Impossible Missions Force. In the first season, the team is led by Dan Briggs, played by Steven Hill; Jim Phelps, played by Peter Graves, takes charge for the remaining seasons. A hallmark of the series shows Briggs or Phelps receiving his instructions on a recording that then self-destructs, followed by the theme music composed by Lalo Schifrin. The series aired on the CBS network from September 1966 to March 1973, then returned to television for two seasons on ABC, from 1988 to 1990, retaining only Graves in the cast. It later inspired a popular series of theatrical motion pictures starring Tom Cruise, beginning in 1996.

Run for Your Life is an American television drama series starring Ben Gazzara as a man with only a short time to live. It ran on NBC from 1965 to 1968. The series was created by Roy Huggins, who had previously explored the "man on the move" concept with The Fugitive.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

Private Eyes Tom Lopaka and Tracy Steele are based out of Hawaiian Village Resort where they work both hotel security and are hired by others to look into various matters. They're helped by their trusty right-hand man Kazuo Kim who runs a taxi company and is always eager to help them.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Alcoa Presents: One Step Beyond is an American anthology series created by Merwin Gerard. The original series ran for three seasons on ABC from January 1959 to July 1961.

Sea Hunt is an American adventure television series that aired in syndication from 1958 to 1961 and was popular in syndication for decades afterwards. The series originally aired for four seasons, with 155 episodes produced. It stars Lloyd Bridges as ex-Navy frogman Mike Nelson, and was produced by Ivan Tors.

Thriller is an American anthology television series that aired during the 1960–61 and 1961–62 seasons on NBC. The show featured host Boris Karloff introducing a mix of self-contained, macabre weird-horror and morbid, hitchockian crime stories, in some of which he also starred.

Richard Diamond, Private Detective is an American detective drama which aired on radio from 1949 to 1953, and on television from 1957 to 1960.

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The 20th Century Fox Hour is an American drama anthology series televised in the United States on CBS from 1955 to 1957. Some of the shows in this series were restored, remastered and shown on the Fox Movie Channel in 2002 under the title Hour of Stars. The season one episode Overnight Haul, starring Richard Conte and Lizabeth Scott, was released in Australia as a feature film.

Playhouse 90 is an American television anthology series that was telecast on CBS from 1956 to 1960 for a total of 133 episodes. It originated from CBS Television City in Los Angeles, California. Since live anthology drama series of the mid-1950s were usually hour-long shows, the title highlighted the network's intention to present something unusual, a weekly series of hour-and-a-half dramas rather than 60-minute plays. Playhouse 90 began as a pitch by Frank Stanton—the formidable, forward-thinking right-hand man to CBS chairman William S. Paley—during a brainstorming session for program ideas. The project was ultimately developed by Hubbell Robinson, a CBS vice president who received no screen credit on Playhouse 90 but is often described as its creator.

The Time Tunnel is a 1966–1967 U.S. color science fiction TV series, written around a theme of time travel adventure. The show was creator-producer Irwin Allen's third science fiction television series, released by 20th Century Fox and broadcast on ABC. The show ran for one season of 30 episodes. Reruns are viewable on cable and by internet streaming. A pilot for a new series was produced in 2002, although it was not picked up.

Lock-Up is an American legal drama series that premiered in syndication in September 1959 and concluded in June 1961. The half-hour episodes had little time for character development or subplots and presented a compact story without embellishment.

In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.

The adventures of a newspaper reporter covering the world of cops and gangsters in 1920s Chicago.

Nick Charles was a private detective who married the wealthy Nora and decided to settle down and leave the good life. Unfortunately for the couple, Nick's past frequently caught up with him and got the couple involved in mystery after mystery. The series was based on the popular MGM series of movies of the 1930's starring William Powell and Myrna Loy. Peter Lawford and Phyllis Kirk starred as the televison versions of Nick and Nora which ran on NBC for two seasons from 1957-59.

Behind Closed Doors is an American drama series set during the Cold War hosted by and occasionally starring Bruce Gordon in the role of Commander Matson. The series, which aired on NBC from October 2, 1958, to April 9, 1959, focuses, among other themes, on how the former Soviet Union stole American missile secrets and proposes steps to prevent further espionage. Behind Closed Doors is based on the files and experiences of Rear Admiral Ellis M. Zacharias, who offers comments at the end of each segment. Behind Closed Doors, a Screen Gems production, replaced Jackie Cooper's sitcom The People's Choice, followed the NBC quiz show, Twenty-One, and preceded the The Tennessee Ernie Ford Show. Its competition was The Pat Boone Chevy Show on ABC and Dick Powell's Zane Grey Theater western anthology series on CBS.

The Dakotas is an ABC/Warner Brothers western television series starring Larry Ward and featuring Jack Elam broadcast during 1963. The short-lived program is considered a spin-off of Clint Walker's Cheyenne. The Dakotas is perhaps most notable for the fact that it was cancelled one week after heavy viewer protest over an objectionable scene.