Production
Dry grass, scorched earth, this is the end of summer. In La Valentine, a neighborhood in the north of Marseille, Bobby and Melo strive to exist through stories they're telling to themselves.
Cut off the world, Ferdinand lives in a small village with his family. Since the death of his mother, Ferdinand has been stuck in a total silence. On a midsummer day, he decides to end it all up.
Pathana adores to be photographed by Farid, but does not want him to approache her to closely. Farid hates poetry, but likes to box with the words. Pathana is willing to be stimulated.
Outside, things are rumbling. We must go out, rebel, but it's too hard.
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It's a story of love and wallpaper. Alexei is a well-balanced young man, but ever since he bought wallpaper to decorate his apartment, he's been isolating himself... A veritable object of desire, the wallpaper with which he covers his interior obsesses him to the point of literally cutting him off from the rest of the world. Alone, as if lost in the middle of the ocean, he develops a strange passion for it that gradually consumes him.
In the near future, huge tidal surges cover large portions of coastal areas. In a small town, a couple refuses to leave their home.
To keep the promise she made to her dying mother, a young woman sets off to find her father, a fickle man she has never known. On the way, she discovers he is in fact dead, but, driven by the bewitching rhythms of the Maloya, a Reunion Island ritual singing and musical tradition, she does not abandon her goal: she must find her father.
Utquiagvik is the northernmost city in Alaska, located 555 km beyond the Arctic Circle. This meditative documentary follows its young Inuit inhabitants, who explore the desolate snowy landscape under the midnight sun and transform their home into a vast playground full of melting glaciers and abandoned ships.
Jean is a "slow" man, he builds his life around his anxieties, and considers himself unsuited to life in society. He lives with Alex, who is a "fast" man. Passionate about aerodynamics and eurodance, Alex lives fast and asks himself as few questions as possible. One morning, he receives a fast friend, Lou, at their place, while Jean had also planned to receive a slow friend, Caroline.
Deep in Hellfest, gigantic metal festival, music gradually takes possession of metalheads.
A college. His teachers and his students. His conflicts and his lies. His images and his words. His looks and his silences.
On a Sunday morning, a group of young revelers enter a large, vacated apartment. Tired drag queens mix with debauched grannies, drunken vagrants and shy virgins over the course of the morning.
In a delicate style, Moeschler portrays the return of a young man from the countryside to his hometown. The ecstasy of the reencounter, the possibility of a fresh start, friendship and love, the deserted streets at night.
Shayma’ was six years old when the Second Intifada broke out. More than twenty years later, she opens a box of old videotapes that starts her search for memories. In voice-over she addresses her mother, who says she is blessed with a poor memory. Shayma’, by contrast, still remembers exactly what she wore on her first day of school: her new school uniform with a lace collar and a white bow in her hair. She also remembers spying her birthday cake through a crack in the kitchen door of their house, which had been confiscated by Israeli soldiers.
The feline and weary body of a young girl is surrounded by Christian symbols. Crosses, Sulpician images, miniature altars lose their religious meaning to become merely decorative items. Mixed with plastic toys and photographs, they compose secular still lives. A church service is observed surreptitiously through a ground-floor window, like some strange custom, only to be interrupted by the sound of a moped backfiring, inviting the girl to take flight. This religious setting, often filmed in countershot to the beautiful faces of three teenagers, then gives way to wide shots of the luxuriant nature they are bathed in. Their nimble, young bodies find a perfect refuge in the comfortable branches of a mango tree. But at this age, the thirst for thrills cannot be restricted to a familiar setting. The trio hits the road. Without bothering with narrative dross, Heliconia offers a sensual road-trip and gorgeous tableaux vivants that do justice to film as a medium.
In Paris’s Goutte d’Or district, Malick skates all day long. Confronted by his daily life, he dreams of escaping to America. His father once told him the story of Abu Bakr II, the African king who discovered America. This king who crossed the Atlantic will change his perception of life.
Between Eastern blocks and cherry brandies, I’m sailing around with Spartacus, my Greek speaking bicycle. But the world is not big enough to drown my pain.
A woman's waiting for a man who will never return, another one boxing proudly the vacuum, a singer without orchestra, a conductor lonely. Lonely characters united by a fable, a naked young man lost in the woods, chasing or fleeing something.
