Vincent Sherman

The Waltons live their life in a rural Virginia community during the Great Depression and World War II.

Trapper John, M.D. is an American television medical drama and spin-off of the film MASH, concerning a lovable doctor who became a mentor and father figure in San Francisco, California. The show ran on CBS from September 23, 1979, to September 4, 1986.

Medical Center is a medical drama series which aired on CBS from 1969 to 1976. It was produced by MGM Television.

Baretta is an American detective television series which ran on ABC from 1975 to 1978. The show was a milder version of a successful 1973–74 ABC series, Toma, starring Tony Musante as chameleon-like, real-life New Jersey police officer David Toma. While popular, Toma received intense criticism at the time for its realistic and frequent depiction of police and criminal violence. When Musante left the series after a single season, the concept was retooled as Baretta, with Robert Blake in the title role.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Alias Smith and Jones is an American Western series that originally aired on ABC from 1971 to 1973. It stars Pete Duel as Hannibal Heyes and Ben Murphy as Jedediah "Kid" Curry, a pair of cousin outlaws trying to reform. The governor offers them a conditional amnesty, as he wants to keep the pact under wraps for political reasons. The condition is that they will still be wanted— until the governor can claim they have reformed and warrant clemency.

The concept of the series was the showing of unaired and unsold television pilots that did not make the television lineup for CBS. The show was successful during its first few seasons due to the fact that the show's concept, airing unsold and unaired television pilots, was a popular concept in the 1960s. But during its last two seasons on the air, the series did find some trouble due to the fact that the series were running out of pilots to air and, in their 4th season, they began airing repeats from the three seasons prior. During its 1966 summer run, the series aired eights new pilots and two repeats and during its last year airing five new pilots and four repeats.

The Long, Hot Summer is an American drama series that was broadcast on ABC-TV for one season from 1965-1966. Created by Dean Riesner, The Long, Hot Summer was based on the novel The Hamlet by William Faulkner, the short story "Barn Burning", and the 1958 film of the same name.

Alvin York a hillbilly sharpshooter transforms himself from ruffian to religious pacifist. He is then called to serve his country and despite deep religious and moral objections to fighting becomes one of the most celebrated American heroes of WWI.

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This star-laden adaptation of Harold Robbins' best-selling 1949 novel about the birth of the movies features Mark Harmon as a drifter who comes under the wing of visionary nickelodeon operator Vincent Gardenia and goes on to become a pioneer in the incipient film business, facing the good times and the bad over a 20-year period.

Cattle baron Devereaux Burke is enlisted by an aging Andrew Jackson to dissuade Sam Houston from establishing Texas as a republic. Burke must fight state senator Thomas Craden, in the process winning the heart of Craden's newspaper-editor girlfriend Martha Ronda.

The Humphrey Bogart story from the early '30s until his death, covering the period as a struggling young actor through movie stardom and his marriages to Mayo Methot and Lauren Bacall.

Hagen is an American legal drama television series that aired from March 15 until April 24, 1980.

Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.

A beautiful but vain woman who rejects the love of her older husband must face the loss of her youth and beauty.

This epic Spanish biopic chronicles the life of Cervantes, Spain's great novelist, playwright and poet, during the 16th-century, when as a young man he goes to Italy to become a soldier for the Pope. Later he helps the Pope's emissary wage war against the Spanish Moors. His exploits win him great favor. He falls in love with a famous Italian courtesan and she with him. Unfortunately, the Pope splits them apart with his newest decree which demands that all prostitutes leave the city. Upset, Cervantes goes to fight in the famed sea battle of Lepanto and comes back a hero. Later he is captured by Barbary pirates and ransomed by Trinitarian friars.

In the slums, teenager Frankie Warren hangs out with a rowdy gang who one day knock him out in a fight. In court, the boys refuse to reveal who struck the knockout blow, and all are subsequently sentenced to a reformatory, cruelly run by two corrupt guards. New deputy commissioner Mark Braden arrives determined to change things, but despite the help of Frankie's sister, Mark's reform plans -- and Frankie's future -- may be sabotaged from within.

Spanish Lothario Don Juan, the legendary lover and adventurer returns to Spain following a scandal and comes to the aid of his queen, who is under threat from sinister forces.

Daniel Anker’s 90-minute documentary takes on over 60 years of a very complex subject: Hollywood’s complicated, often contradictory relationship with Nazi Germany and the Holocaust. The questions it raises go right the very nature of how film functions in our culture, and while hardly exhaustive, Anker’s film makes for a good, thought provoking starting point.