Acting
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
A fictional account of one year in the life of Empress Elisabeth of Austria. On Christmas Eve 1877, Elisabeth, once idolized for her beauty, turns 40 and is officially deemed an old woman; she starts trying to maintain her public image.
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As part of an unusual farewell ritual, two siblings end up at a Chinese restaurant. Both feel guilty after the recent death of their mother and find it difficult to broach the subject. At another table a father improves his daughter’s homework, at the next a date goes wrong, and somewhere in between, the server’s collar bursts. Though the tables are close together, the siblings hardly notice the little dramas taking place.
Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.
When 12-year-old Karli moves to an old hotel in the Alps, he discovers an elevator that harbors a secret – it’s a magical time portal that transports him back to 1938! There, he befriends Hannah, a spirited Jewish girl, and Georg, a shoeshine boy. But when Georg is falsely accused of stealing, the children must solve a mystery case hidden within the hotel’s walls, all while the shadow of Nazi Germany begins to grow around them.
The performances by Petra Morzé (as a mature thespian preparing for a video audition) and Marlene Hauser (as the daughter assisting her) illuminate this gently comical drama that intelligently touches on a range of issues within its brief running time.
Anna plans to escape her stifling provincial life, but a ghostly encounter causes a delay. A poignant tale of departure, set in the Styrian countryside and with strong ties to the genre tropes of the uncanny and the grotesque.
Ursula and Neda, an East German waitress with a broken heart and an Iranian YouTuber with a broken arm, both feel trapped and lonely in their precarious lives. One summer evening, Ursula falls for a mysterious musician from the city, while Neda is convinced that she recognized an old friend from Tehran in an equally enigmatic street sweeper. The winding paths of chance draw the two women together on an unexpected ghost hunt in the mountains...
Young women, Austrian style. Yesmin is Kurdish and wears a headscarf. She shoots a cheeky burqa video with Bella and Nati which makes the trio famous in the Muslim community. Controversy and alienation ensue. Immediate, exuberantly introverted cinema.
A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.
Three friends undermine the job-swapping in the company that exploits them and pull each other out of the swamp of capitalism (into which they will repeatedly fall).
Rural policewoman Andrea wants to end her marriage and become a detective inspector in the city. After a birthday party, her drunken soon-to-be ex-husband runs out in front of her car. In a state of shock, Andrea commits a hit-and-run.
It was her voice that made him want to stay. Only first he has to win everyone’s vote. Downvoted by the community a young man learns how to play by the rules of a bizarr jazz club, lobby to the top and all for love and glory. Yet can one persevere in society without losing one's soul?
On a sunny afternoon spent on the shores of the river Danube, Andi and Lena are getting closer to each other. But as Lena receives some bad news, she finds it difficult to open up to Andi. Left feeling insecure by her need to deal with her problems on her own, Andi decides to confront her with his feelings for her.
Richard runs a sausage stand at the local sports ground. When a young woman appears, searching for her runaway horse, he is pulled out of his familiar routine. Together, they set off to find it – and an unusual night begins. Elsewhere, as dusk falls, Anna faces a different kind of departure. After one final shift as a pizza delivery driver, she plans to leave her home village for good. But old relationships, village stories and a ghostly encounter make her wonder whether leaving is really that simple.
Precariat meets high snobiety: With no-budget charm and wit, sophisticated characters, pointed dialogues, satirical social commentary and bitter plot twists, Sebastian Brauneis tells the story of a tenancy relationship in which law does not always mean justice, set against the backdrop of the Austrian housing market.
Places of longing loaded with expectations are usually only of a snowball throw away from the next disappointment. And on Austrian slopes the disappointments occur in the interpersonal realm. Bernhard Wenger stages his latest film as a painfully realistic, but also humorous, episodic mockumentary captured by weather cameras.
Helene (86) and Toni (70) are completely different. One is planned and well-timed, the other impulsive and spontaneous. As an unlikely team, they embark on a journey to Switzerland for euthanasia. But their road trip through the mountains turns out differently than planned.
