Félix Podmaniczky

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Documentary with recordings from the Nuremberg war crimes trials.

Pál Völcsöky comes home from Sweden to get his uncle's heritage, the castle. The valet, Joachim informs him that all members of the Völcsöky family have a right to spend two weeks of honeymoon here.

Kovalszky arrives at the Danube-Bank Hotel as a foreign gentleman. Two members of the staff, Miklós, the waiter and Anna, the house-maid are planning their life together. Kovalszky makes passes at Anna.

Emperor Franz Joseph's young wife, Queen Elizabeth, was a popular favourite. After the defeat of the War of Independence, the daughter of the revolutionary General Latkóczy came to her to ask for the Queen's intercession on behalf of her father. Little does she know that her journey is aided by the envoys of the Hungarian Legion, which is organizing abroad.

Gábor Turi, the star of the Viennese Opera retires from the stage after he inherits a huge piece of land in Hungary with the stipulation that he can't continue his career as a singer.

It rarely happens that a parent is not happy that their son is serious, hardworking and interested in nothing but work and the land. Well, our Péter Tamássy is like that. Péter's son is only interested in farming, so the father, who was a playboy in his youth, decides that before Péter gets married, he will introduce him to society a little. And to make sure that the child gets into good company, he entrusts him to his old love, the prima donna Ria. (Honthy Hanna in a wonderful movie role.)

Gábor Szávay works as a clerk at General Electricity Ltd, despite having a degree in engineering and having written a book on the future of electricity. He could apply for a grant to improve his financial situation, but he doesn't because he is a namesake of the director. However, he is not disadvantaged, because his benevolent colleague does it for him, and even invites him to the CEO's home. But the host dies suddenly, and speculation about the inheritance begins. Can Gábor Szávay inherit?

An evaluation of documentary film material from the years 1910-1960, organized according to the methods and effects of modern dictatorships. Particularly in the vivid middle section (Nazi era), the film has a clear intellectual structure.