Julia Hendrickson

An impromptu passenger on Benito's routine door-to-door sales trip up north forces him to take his nose out of his insurance folder and take in the view.

Susan’s dancing career ended when she became a mother. Thirty years later her daughter (the filmmaker) attempts to recreate her last performance through documentation, memory and contemporary restagings. The inspiration for the original dance began with Green’s ancestral oral history of her great-grandmother’s husband who was lost at sea. The film references the temporal space between each rendition of the story; the cyclical (dis)appearance of what is just out of reach: the husband, the story and the dance.

Ella is torn between past, present and fantasy as she struggles to connect with her emotionally distant boyfriend. A series of troubling texts and phone calls drives her to his house, where she waits anxiously. As reality sets in, Ella tries to make sense of what they have experienced.

Cosmic revolutions beget earthly revolutions in a film about the 2024 solar eclipse, ecstasy, ghosts, birth, death and the English poet and preacher John Donne.