Emrullah Çakay

When a mafia family named Koçovars are in danger of losing control of their neighborhood, “The Pit,” their youngest son must come back home, a place he could never truly escape.

Yavuz Karasu, a well-trained Turkish soldier, is in Istanbul with his fiance where a terrorist operation takes place. Dr. Bahar, who is not a surgeon, tries to save his fiance. After this incident, Yavuz goes back to Karabayir and Bahar follows him all the way to give him something that belongs to him. Another incident happens and he is chosen to be the commander of a team whose mission is to catch a terrorist and protect Karabiyir and their country Turkey. The whole team is solid, consistent, and willing to sacrifice their lives for the sake of their country.

Naz has just graduated from the police academy and lives with her mother and uncle, who are protective characters. In order to take down a mafia boss, the police force decides to utilize Naz and the insane police officer Pamir together for a secret mission. Like a newly married couple, Pamir and Naz will move across the mafia family's house and gain Tarık Koşuoğlu's trust and bring him to justice.

Seeking to uncover the truth about his past, a henchman betrays someone close to him and assumes a new identity in a small Istanbul neighborhood.

Shakespeare's darkest tragedy in a modern retelling of family betrayal and horse carriages. Based on a true story, light is shed on the incredible, absurd, striking realities of life and Turkey through the “kingdom of the carriage” in Büyükada.

Three strangers with one thing in common — the same father — come to a Turkish village to bury him, and learn about him and each other.

No description available.

It is near future story in Anatolia. There is no indication of time and place, an post-apocalyptic world that ruled over by primitive technology. Zait, a loyal mine worker who works for a mine factory which is managed by unknowns, declares war against the factory.

Turkish director Ali Vatansever weighs the human cost of politically motivated urban renewal in his achingly resonant second feature, about a young couple forced to compromise their ideals and work for the very industry encroaching on their Istanbul neighbourhood, in order to keep up with the rent.

Sait, a man committed to his faith, has turned his back on the material world. This peaceful existence is shattered by a news story he sees on television and a municipal worker who comes knocking on his door in the middle of the night.

Tamer, reliant on friends to navigate life, Aslı, aimless and living with family while tending to a sick neighbor, and Celil, an ordinary caregiver emotionally detached but devoted to his patients until death, cross paths in a poignant exploration of interdependence and survival.

The story of her grandmother’s old suitcase moves Hazal to understand her kurdish families past and carry on the legacy.

Arif has to take care of his father, who is bedridden and has diabetes. The change of his lover's ideas about life, forces Arif to make a choice between the life of his father, who had left him, and his journey to freedom.

No description available.

Musa lives with his father, Beko, in rural Turkey. Beko, struggling to make ends meet by assisting in rabbit-hound races, is lured by the promise of a government disability pension for Musa if he can prove his son's “disability” with a medical report. To pass as disabled, Musa must learn to mimic the mannerisms of people with physical disabilities from Nergis, a girl his age. Together, the two children form an enduring friendship as they navigate their plight.

A magical realist, inner drama about a soldier who, when negotiating a minefield steps on a landmine and in his inner turmoil, he imagines he encounters a mirror that is a gateway into one very specific memory.