Helene Kaplan

A repressed young woman becomes obsessed with pornography and the mysterious rich patrons of the Times Square porn theater where she works selling tickets.

A comedy about New York and its eccentric inhabitants. A French filmmaker comes to New York to show her film at MOMA. Fascinated by the city, she decides to stay.

Various unrelated vignettes, often juxtaposing sound and image.

A New Jersey family discovers their drinking water is contaminated with deadly poisons from a nearby landfill.

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.

Are women’s colleges a dying breed? In the past forty years over 75% of women’s colleges have closed or merged with their male counterparts. What will or should become of them in the next fifty years? Compelled by her family’s four-generation legacy at Barnard College, Daniella Kahane (BC ’05) explores the relevance of women’s colleges today, specifically through understanding the history of Barnard College and the changing role of women during the twentieth century.

Portrait of a family I lived with. They represent a large chunk of the past, ambiguous. A film in which the image serves as punctuation for the sound; the image is a tease. – H. K.

Dialogue by David Cohen. Used to be called AUDITIONS FOR DIALOGUE.

The ultimate Walt Disney dog marking time. The bigger the screen the better. Dream machine and time machine.

THE VESTAL THEATRE is a documentary shot in the lobby of a movie theater from behind the candy counter. The camera was turned off only when it ran out of film. It was shot sync-sound fixed camera. The movie goers could see the camera clearly (no Allen-Funt cute). Like Monet's cathedral, this same image would never have been the same again. The image is composed of complex, multilayered planes of focus. And I love the way people ask for popcorn and tap their dollar bills. Film time and real time are the same.

This is a film which I keep changing. It's a structural comedy starring people's garbage, shot in the Harpur college snack bar; indigestion yellow. The beginning of thinking and working in a particular way with image-sound/image-silence relationships. –H. K.