Barbara Etz
Production
Known For

Luxembourg in the 60s. Youngsters from France come over to a small south Luxembourg village Dudelange to party there. And looking for girls. And then starts the fighting. Teenager love and rock 'n roll.
A Wopbobaloobop a Lopbamboom

A documentary about the clashes between squatters and the police in Berlin in early 1981. Despite the absence of commentary, this is an openly partisan film that aims less for political analysis than for an up-close description of the situation and mood.
Schade, daß Beton nicht brennt

Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.
Als wir die Zukunft waren

The river Oder: A historical and cultural land-scape churned again and again by the tide of events of the past century. A tale told in concentric circles about a region which was and still is the scene of the beginning, end and open middle of voluntary and involuntary migrations. Virulent issues of daily life and politics that, asked with confident casualness, provide a robust account of the present.
Borderland
Documentary material and reenacted scenes reveal the previously undisclosed extent of government surveillance.
Alles unter Kontrolle. Notizen auf dem Weg zum Überwachungsstaat
Alina accepted the invitation from her Polish friend Elszbieta and traveled to Warsaw. Had she known beforehand that she would not be able to locate Elszbieta, she might never have left. However, then she would never have encountered the two men with the wardrobe, met Mariusz and the musicians, or spoken with Pan Tadeusz...