Akiko Takeuchi

Oomae Haruko is an A+ Temp worker who never cracks a smile or minces words, and leaves work on the dot. But her cynical nature indicates she has something painful to hide. Satonaka Kensuke has just been promoted to head S&F's new Marketing Division. Saddled with a rag-tag group of subordinates, he is struggling to lift his division off the ground. When Oomae is placed in Kensuke's department, she finds herself doing more work than she's ever done before. This is a timely drama that examines the different attitudes toward temp workers and regular employees, and the ways to overcome frictions in interpersonal relationships. This follows an October report on labor conditions by the Labor Ministry, which showed that, after regulations were relaxed, the proportion of regular employees to Temps had doubled compared to that of eight years ago.

This coming-of-age story from Japan opens just after 17-year-old Sataka has gotten dumped by her boyfriend. When her mother is hospitalized with a malignant stomach ulcer, Sataka is left alone with her emotionally repressed father; whiling away the hours one day, she comes across a love letter written to her mother 24 years earlier. Deciding to track down the letter's author, Sataka eventually finds Shinichiro (Hiroyuki Sanada), an overweight slob who was abandoned by his wife years earlier and now spends his time hanging around pachinko parlors. Determined to clean him up and reintroduce him to her mother, Sataka nags Shinchiro until he finally agrees to her demands, and a gradual friendship develops between the two as Sataka drags him to the gym and a clothing store. But once Shinchiro's makeover is complete, he turns the tables on his young friend, and when the time comes for him to meet Sataka's mother, all concerned parties find themselves embarking on a new phase in their lives.

A fiancé, Keita, goes to meet the family, the father, Shozo, begins his secret appraisal – a test to see whether this fiancé is worthy or not of marrying his daughter. Trying to reduce the distance between them, the mother prepares a single nabe (cooking pot) for the shabu-shabu meal. As Shozo’s eyes glint brightly, Keita reaches towards the shabu-shabu.