Jeremy Bennett

As armies mass for a final battle that will decide the fate of the world--and powerful, ancient forces of Light and Dark compete to determine the outcome--one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.​

Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring--but on separate paths. Their destinies lie at two towers--Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.

In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.

Eleven documentaries offering an inside look at the making of the film, from the casting process to digital color grading, revealing the secrets of the shoot and the various stages of post-production leading up to the film's release.

6 documentaries chronicling the adaptation of J.R.R. Tolkien’s work and the creation of Middle-earth.

This documentary introduces Wētā Workshop (and its design crew of sculptors and set-designers), renowned artists Alan Lee and John Howe who were brought on to join them in conceptual design, and costume designer Ngila Dickson. Topics covered include the design of Middle-earth cultures portrayed in the film, the making of props and settings for Hobbiton, Rivendell, the Orthanc interior, and Caras Galadhon, and the complexity of prosthetics.

Peter Jackson, members of Weta, and film production personnel are interviewed, telling of the birth of a small company in 1993 (for the making of Heavenly Creatures), which would provide visual effects for The Lord of the Rings: The Fellowship of the Ring, and its various tasks in rendering fictional, fantasy environments and entities. The process behind the making of the Watcher in the Water, the Cave-troll, the giant corridor of Dwarrowdelf, the Balrog and its fire effects, the water-horses of the Bruinen flood, and the Ringwraiths' true appearance are explained by effects specialists of Weta Digital and the American company Digital Domain.