Ville Mäkelä

Epic tale about two generations of men in a wealthy Finnish family, spanning from the 1960s all the way through the early 1990s. The father has achieved his position as director of the family business through marrying the heiress. Their eldest son Dani, hoped to succeed his father, succumbs to drugs while pursuing a career in rock music. Younger Riku grows up under the shadow of his more talented big brother and slowly drifts into the late 1980s, noticing then how many of his friends have managed to take advantage of the economic upswing.

A documentary film about a tour of three Finnish rock bands around Saimaa lake system in a steam boat in 1981. The bands (Juice Leskinen Slam, Eppu Normaali and Hassisen Kone) are shown playing songs in their gigs and, in between, the members give intimate interviews or just act plain silly and have a good time.

April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.

The colonel's wife's tin pints need to be cleaned up, and Sergeant First Class Körmy tasks two privates to do so.

On her way home from an evening shift at a men's clothing store, Saara Nevanen is raped by a man whom she recognizes as her regular but eccentric customer, Antti Kaironen. The doctor and policemen question Saara in an insensitive manner,and she breaks down with guilt. When the court releases the perpetrator inlack of evidence, Saara's aggressive brother Jari talks her mild-mannered husband Sakari into a self-made revenge plot. Armed with two rifles, Jari and Sakari take matters into their own hands.

The Kiljunen family wins a holiday trip to Helsinki and the city will never be the same again.

A young student seeks direction in his life to counterbalance the studies through female adventures.

Poetic short film

Mimosa is about a girl growing up in an orphanage who tries to make life fun for all the residents. It's a great Easter story, an animated fairy tale about a witch kid and what she's up to in the orphanage while the mother witch whips around with her broom. An excellent animated fairy tale about diversity and tolerance, made in Camilla Mickwitz's typical funny way.