Jabeen Merchant

Four unapologetically flawed women live, love, blunder and discover what really makes them tick through friendship and tequila in millennial Mumbai.

In 2001, somewhere in rural India, two young brides get accidentally swapped on a train. In the ensuing chaos, they both encounter a host of colourful characters, resulting in hilarious and unexpected consequences.

Meera and Arjun are professionals living in Gurgaon. On their way to a luxurious desert holiday they stop on a Highway dhaba for dinner, where they witness a young girl being picked up by a bunch of hoodlums. Arjun chooses to step in, unmindful of the danger ahead.

Six real life couples relive their unique love stories in this heartfelt series celebrating the triumph of love against all odds.

When her estranged mother falls into a coma, a self-made single mom grapples with regret and resentment while reflecting on their strained relationship.

In 18th century India, a Naga Sadhu sets out on a journey across Bundelkhand to seek revenge for an injustice committed in the past.

Manas, an ex-factory floor manager loses his job during the pandemic. He is then forced to work as a food delivery rider, grappling with the app and the world of ratings and incentives. Life is relentless for him, but not without shared moments of joy with his wife, Pratima. The film captures the life of invisible 'ordinary' people, hidden in plain sight.

A passionate declaration of love for the cinema and poetry of Iran, which also offers a frank view of the precarious situation for critics of the regime and shows the uncompromising daily struggle of Iranian women against their oppression.

Satyaveer is an engineer suspended for allegedly accepting a bribe. However, Satyaveer, proud author of a tawdry and thoroughly unsuccessful crime novel, is approached by a woman named Manorama to investigate her husband, whom she suspects of having an affair.

In a village affected by climate change and scanty rainfall, a blind farmer strikes a deal with the debt recovery agent to save his son from a debt trap.

Dumped unceremoniously by his wife, Nikhil tries to figure what to do with his wife's dog while trying to figure his own depression and abandonment.

7½ Phere: More Than a Wedding is a 2005 Bollywood comedy film directed by Ishaan Trivedi and produced by Sonal Malhotra and Nimit Modawal. It stars Juhi Chawla and Irfan Khan in lead roles. The film was released in India on 29 July 2005 with mixed response

A romantic drama that intertwines themes of love, society, and the impact of social media

To chase her dream of going to school in her remote Himalayan village, a feisty paraplegic girl locks horns with her tradition-bound grandfather.

In Southern India, family disputes are settled by Jamaats—all male bodies which apply Islamic Sharia law to cases without allowing women to be present, even to defend themselves. Recognizing this fundamental inequity, a group of women in 2004 established a women’s Jamaat, which soon became a network of 12,000 members spread over 12 districts. Despite enormous resistance, they have been able to settle more than 8,000 cases to date, ranging from divorce to wife beating to brutal murders and more. Deepa Dhanraj follows several cases, shining a light on how the women’s Jamaat has acquired power through both communal education and the leaders’ persistent, tenacious and compassionate investigation of the crimes. In astonishing scenes we watch the Jamaat meetings, where women often shout over each other about the most difficult facets of their personal lives.

Mampu watches her father struggling to keep his single-screen theatre alive - as her hometown Allahabad acquires a new name and starts losing traces of its past.

On January 17th, 2016, a Dalit PhD research scholar and activist, Rohith Vemula, unable to bear the persecution from a partisan university administration and dominant caste Hindu supremacists, hung himself in one of the most prestigious universities in India. His suicide note, which argued against the “value of a man being reduced to his immediate identity” galvanized student politics in India. 'We Have Not Come Here To Die' attempts to track this historic movement that is changing the conversation on caste in India.

Dolkar is a 26-year-old living in exile in Delhi. An unexpected encounter with a figure from her past sets off a flurry of memories she had long repressed regarding the journey that brought her here.

An impressionistic sketch of ‘the public’ as created by our cinema and its relationship with cinema itself.

Two sisters, one a rudaali (professional mourner) and the other a nachaniya (dancer), navigate survival, dignity, and womanhood in rural Rajasthan. Facing the caste system, social judgment, and unwanted male attention, they find solace in sisterhood and quiet rebellion.