Anni Domingo

The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

The Eagle: A Crime Odyssey is a Danish police procedural television series produced by Danmarks Radio, created and written by Peter Thorsboe and Mai Brostrøm. The series debuted on 10 October 2004 in Denmark. It won an International Emmy Award from the International Academy of Television Arts & Sciences for best non-American television drama series in 2005. There were three seasons; the second season premiered in Denmark on 9 October 2005 and the third on 8 October 2006. The last episode originally aired in Denmark on 26 November 2006. The series was filmed on location in various parts of northern Europe, from Berlin and Copenhagen to Oslo and other locations including Iceland. The series has enjoyed particular success in Australia, where it airs on SBS and is available on DVD with English subtitles.

On the sunless moon Io, Marshall William T. O’Niel goes toe-to-toe with the corrupt manager of a mining colony and his gang of roughnecks while investigating a rash of worker suicides.

That Beryl Marston...! is a British sitcom produced by Southern Television for ITV. Created by Jan Butlin, the six-episode series stars Julia McKenzie and Gareth Hunt. Novelty shop owner Georgie Bodley's life was going well until her husband Gerry leaves her for Sussex sex strumpet Beryl Marston. But now Gerry's back, and he wants to reconcile.

Gripping drama about an undercover police officer who infiltrates the Manchester underworld to investigate a brutal murder, and his method of getting to know what's happening is to seduce the gang leader's sexy wife

Owerri, 1967, on the brink of the Biafran Civil War. Lolo, Nne Chukwu and Udo are grieving the loss of their father. Months before, two ruthless military coups plunged the country into chaos. Fuelled by foreign intervention, the conflict encroaches on their provincial village, and the sisters long to return to their former home in Lagos.

When the notorious rock star, East, is murdered on stage at an Animal Rights benefit gig, young filmmaker Hadi captures vital evidence on videotape. He finds he has possession of the most sought-after footage in the TV industry - and the most lethal.

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.

On the same day a notorious crime kingpin Jimmy Vincent is released from prison, there is a daring armored car diamond heist of diamonds using his m.o.

When an indecisive people pleaser is running late for the world’s busiest day, his misguided decisions escalate towards a single choice that risks everything he holds dear.

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

Two elderly women on a medical ward set out on one final adventure; to swap beds and identities without any of the staff noticing.