Arianna Bonardi

In the '80s, a teenage nerd notices sinister parallels between the story of his favorite comic book and the real life horrors befalling the small town where he lives. He and a few friends seek to investigate.

An anthology film that features four segments. Contagium: The beginning of a global pandemic originated by the macabre experiment of a military scientist. Gully: The calvary of a young man who, as a result of his ambition, is the victim of a painful metamorphosis. The Body: The martyrdom suffered by a woman obsessed with beauty and who resorts to a home cosmetic surgery in order to save money. The Cabin: A post-apocalyptic era in which money becomes the only means that can allow the infected to stay alive.

Massimo Marinelli Lops and Giulia Colardo meet by chance in Rome and fall in love. Giulia asks Massimo to spend Christmas Eve with her family.

Matilda is a Roman hitwoman forced into her job by her father, a feared Roman killer and a great fan of Lèon who would like her to be as fearless as the young protagonist of the film. But the poor girl is shy, clumsy and would do anything to change her life. And so, between one cleaning and another, she dreams of normality.

A group of top European underground filmmakers invite us inside the Evil Building for several horrific tales of the macabre. There exists a place beyond horror, beyond suffering. It is a building we walk past every day and think nothing about. But it has a life, and bloodlust, of its own. In this place, death is only a moment, but torment is forever. And we are never leaving.