Editing
Between June 1940 and March 1943, the 1,200 kilometer long demarcation line broke France in two. For almost three years she controlled the daily newspaper of 40 million French people. In the north the zone occupied by Hitler's soldiers, in the south the zone administered by Marshal Pétain's Vichy regime. This film lifts the veil in this theater on the shameful mistakes of the collaboration, but also on the most courageous and noble deeds. Archive images and film recordings at places where the border used to be crossed are alternated with interviews with the last witnesses of this time.
For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.
Documentary tracing the history of French organized crime, from the rise of the "Milieu" to the cyber-criminals of the 21st century. The series features extensive archival footage and testimonies from prominent figures of the "Milieu" speaking out for the first time.
England, 1940, during World War II. An MI5 officer, codenamed Jack King, infiltrates a network of conspirators, a British fifth column sympathetic to Nazi Germany, in order to control the organization and destroy it in the event of a German invasion. But who was he? A single person or several?
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A trip to the seaside campsites, along the coast from Spain to the Camargue, like the other side of society, a cleverly mixed deck of cards. Each time the filmmaker pitches his tent, he gets to know his neighbors. And, as is often the case in these cases, they tell a stranger what they wouldn't tell their relatives. They talk about themselves, about what matters to them.
A small company valiantly struggles to survive under the respectful yet probing camera of Claire Simon in “At All Costs.” As the docu opens, founder and manager Jihad is off to see his banker. The lack of ready cash to pay his loyal employees, wholesale produce providers and a whole range of other creditors, including the tax-gobbling French government, is omnipresent. From a staff of 14, Jihad is down to three cooks, one delivery driver and a secretary in less than six months. The good-natured pluck of the remaining employees is at the heart of the film. Subterfuges for putting up a brave united front include scheduling food orders from a coin-operated pay phone when the office phone is cut off for nonpayment.
A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou
