Crew
While writing an adaptation of the play "4.48 Psychosis", by English playwright Sarah Kane. Luisa (Ingrid Trigueiro) travels to a desert beach with her family. Immersed in the text, Luisa finds the work's impulses increasingly immersed into her own reality, driving her to the threshold of adaptation and delirium. Between theater, sketch, archival images, and complex memories and family relationships, Arthur Lins uses different staging references to compose a small tropical tale about complex creation process.
Two boys. Two stories that intersect. Two lives united by a condition that defines their existences. Two journeys in search of self-recognition in the mirror.
In a bleak future, the inseparable Batman and Robin live in a remote trailer. As punk-rock reenactors, they realize that planet Earth has become too small for their perfection, genius and power, and decide to find their place in the galaxies.
The return of an absent daughter to the city where she was born -absent for fear of a crisis from her bipolar mother- is the trigger for a family reunion.
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While a soccer team plays its games, events are experienced inside the houses. In other spaces, clay and the measure of a family's conflict.
Vitória and her son, Cristiano come back to their hometown Desterro, running away from a troubled life in the city. She asks her brother Balbino for shelter. The arrival of mother and son brings the town’s secrets and forgotten stories back to light, in strange, mysterious ways. Cristiano’s journey of self-discovery through the town’s ghostly entrails sets him in a collision course with the most powerful man in town: his uncle.
In the year 2040, the city of Recife, Brazil, is deserted and in ruins, abandoned by the wealthy who migrated to space colonies. One young man, bored in his new address, decides to return. In Recife, he redecorates his old house and spends his time reading, walking and getting involved with various men. Gradually, however, he perceives strange signs and discovers the existence of a secret cult.
A series of interviews of torture survivors from Brazil dictorship are mixed with performance.
Two sisters, Bethânia and Laura, reunite to discuss a family matter. They travel the roads of the Pernambuco hinterland in search of their father's body, Seu Lauro. At home, Bethânia's daughter edits a video in which the living and the dead become intertwined in a game of silences and revelations. Ao Sabor das Cinzas (Led by the Ashes) is a magical realism piece about the collapse of communication and grief conveyed in real time.
To help his cousin in an illicit scheme to sell lots in a disused landfill, Gilvan invades one of the lots, but comes into conflict with workers from a recycling cooperative who claim the right to the land he occupied.
The Ship That Never Lands hovers over a quilombola community in the semi-arid region of Paraíba The local residents must deal with the consequences of this event. A sci-fi documentary in the lands of Aruanda.
2050. The world as we know is about to be destroyed by a pink cloud. Away from the cities and lost on inhabited roads, Pedro and Miguel search for eternity.
