Anton Vaverka

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

When a proud noble refuses to kiss the hand of the despotic King James in 1690, he is cruelly executed and his son surgically disfigured.

A young French soldier in World War I is overcome with guilt when he kills a German soldier who, like himself, is a musically gifted conscript, each having attended the same musical conservatory in France. The fact that the incident occurred in war does not assuage his guilt. He travels to Germany to meet the man's family.

Against the backdrop of Vienna's hidebound caste system, aristocrat and army officer Nicki is attracted to peasant Mitzi, although he knows it cannot last. Acquiescing to familial pressure, he ultimately gives her up to marry the more socially acceptable – albeit crippled – heiress Cecelia. Mitzi, for her part, is heartbroken and must resign herself to marrying churlish butcher Schani Eberle.

Eighteen-year-old factory worker's daughter Věra Janáková is head over heels in love with the famous pilot Jiří Málek. She only knows him from a photograph, but that's enough for her to run away from the boarding house and set out to find him. There, she discovers that the old Málek family are expecting the arrival of a girl from the orphanage, from whom they intend to raise Jiří's future wife. Enterprising Věra doesn't hesitate and quickly disguises herself as a thirteen-year-old frog...

He, Doctor of Philosophy Alois Pech, is his mother's impenetrable and unindependent pet who works as a prison librarian. She, Marcela Johnová, is a self-confident, energetic and successful girl from high society. While she lives in the big world, surrounded by luxury and admirers, he lives a quiet, modest life with his caring mother. They are introduced by a completely random night-time phone call made from Marcella's apartment by one of her guests. Although for her the pleasantly clumsy man is primarily an entertaining addition to a life full of pleasures, Alois falls in love with the girl and begins to look for opportunities to meet again.

A nobleman posing as a necktie salesman falls in love with the daughter of a circus puppeteer, although he's already wed to the daughter of his country's war minister.

On Ze Boulevard is a 1927 American comedy silent film directed by Harry F. Millarde and written by Earl Baldwin, William Scott Darling, Joseph Farnham and Richard Schayer. The film stars Lew Cody, Renée Adorée, Anton Vaverka, Dorothy Sebastian and Roy D'Arcy.

Eman Vovísek drinks away his unrequited love for Liduška, who married his cousin, the factory owner Danek. Because Eman is aggressive when drunk, he is taken to a mental health facility, where he meets his uncle Hanibal. Hanibal has a breakdown after his wife Matylda broke up with him. Matylda wanted to be free so she could marry her first love, Uncle Jonathan, who is due to arrive from America. Jonathan sends a telegram saying he will stay in Paris. Such a situation does not suit Danek. He assumed that Liduška would be visiting from America and that he himself would go to his mistress in the meantime. He therefore visits Vovísek and persuades him to play the role of Jonathan.

Lieutenant Patera, who unfortunately became involved in a scandalous affair in the highest circles of the Habsburg monarchy, is transferred from his sentence to the backwater garrison in Munich.

Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.

When a wealthy man is found murdered in his bedroom, one of his two adopted sons is arrested and charged with the killing. However, the verdict at his trial is an acquittal. Since the police don't seem to be particularly interested in finding the real killer, the dead man's daughter-in-law--the wife of the adopted son who wasn't charged--takes it upon herself to solve the crime.

A woman allows her husband, who she knows no longer loves her, to believe that she has been killed in a train wreck. Her husband later finds her as a hostess in a gambling den.

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Nat Alden, a promoter, has had bad luck on his deal and is broke. He meets an old army pal who is now a chauffeur of the businessman who threw the luckless Nat out of his office. Nat is on his way back to his small hometown, where he is believed to be a millionaire. To keep the belief alive he has his pal drive him there in the businessman's automobile. Complications arise quickly.

The life story of a prominent Slovak scientist, soldier, diplomat and politician who contributed to the creation of conditions for the formation of an independent Czechoslovakia. He died in a plane crash on May 4, 1919.

At a lavish house party, bank president Robert Andrews stages his own “murder” to distract a visiting bank examiner from uncovering a shortage, setting off a whodunit where nearly everyone has a motive. The investigation spirals until Andrews is found alive and admits the frame-up—after the deficit is repaid. A silent black-and-white Universal mystery-melodrama-comedy directed by Herbert Blaché; long thought lost, a print resurfaced in 2017.

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“And I say unto you, ask and it shall be given to you; seek, and ye shall find; knock, and it shall be opened unto you”. This quote from the Gospel of Luke is read out loud by one of the characters in Tam na horách. It will manifest itself in the destinies of the two protagonists, in the story of an unmarried mother from a mountain village, who becomes a great opera singer and toast of the city salons, and in the story of her seducer, a successful painter. The fate of the two lovers offers a double perspective. One of the advertising slogans for Tam na horách was “The first Czech film of international production”, which helped to rise the audience’s expectations.

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