Tomoko Inoue

Rokuro Saito was hired as a gardener for the Kawarazaki family. The beautiful mistress of the house, Kyoko, who greeted Rokuro, was a widow with two daughters, Sachiko and Rei. Also living there were Rei's tutor, Kaori, a creepy male servant named Nanbara, and the maid, Misako. Rokuro was eager to take on the job, but Misako was cold and distant.

Tomoko couldn't sleep all night. She bought a house and can't pay the mortgage. Tomoko is a banker, and she mainly goes out on the road, but her performance is not good. She nand her husband discuss money, but as usual, she says she'll do something about it...

In the throes of an existential crisis, an aging director decides to travel to Japan to film the tour of his son's rock-band, PEROPERO. His partner Emma acts as producer as they follow the band's performances in a string of live clubs across Japan. When the director falls hard for the young Japanese tour manager, both the film shoot and his life threaten to fall apart.

In a playful critique of Japanisme, the craze for Japanese art and design in Europe in the mid-1800s often rife with misunderstanding and projection, Honeymoon recasts the wedding scene of the opera and film Madame Butterfly.