Javiera Velozo

In a country at the world's end, the highest authority of the Catholic Church lands. The Pope comes to bring the word of God, but Chile awaits him with the most important religious crisis in its history.

Life in the isolated town of Charrúa is dominated by the presence of a large power plant that distributes energy to most of Chile. A little boy hunts rabbits, residents demand better electrical coverage at a town meeting, a woman waters the plants outside her house and a local radio station relays the day's happenings. At night, wildlife is captured on camera, along with strange bursts of light that momentarily illuminate a countryside criss-crossed with pylons and cables. And ever present is the insidious hum of electricity.

They are women. They are mothers. They are inmates serving long sentences in a prison in Chile. Their children grow up far from them, but remain in their hearts. In prison they find the affection of other inmates who share their same experience. Mutual support among these women becomes a form of resistance and emancipation. Malqueridas reconstructs their stories through the images they themselves shot with cell phones prohibited inside the prison, recovering the collective memory of a forgotten community.

Somewhere at the end of the world, where ocean and rocks play their endless games of hide and seek, lives a man. In his mysterious solitude, he is not alone. One day, remains of a white whale are washed by a storm on a beach. In this stranded portrait inspired by H. Melville’s masterpiece Moby Dick the director questions our inner reality and our own gaze on it.

The Amateur Soccer Referee Federation has a new board of directors, who face the challenge of renewing their image after a 90-year history. But these leaders receive a broke organization and headquarters that are in precarious conditions. They have also aged, but have nothing to lose and will work together to reinvent themselves.

From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.

Something dwells in the deep.

After 40 years working in the mine at Tierra del Fuego, Toto doesn’t qualify for the social security that would allow him to retire. So his son Jorge attempts to build a gold harvesting machine to bring them a better future.

No description available.

Juan Carlos is a lonko who has fought in defense of Mapuche autonomy. Many question him because he agreed to work for the government in order to improve conditions in his community. At home he shares his concerns, while his animals watch the tension grow and the seasons advance.

No description available.