Peter Göltenboth

Every year, thousands of young women move to Los Angeles to make their breakthrough as actresses. Their careers usually take place in the gray area between small supporting roles in big films and big roles in small films, the restaurant jobs necessary for survival and an endless loop of auditions: they are the Ariadne's thread that must not break. Because despite all the frustration and despair over constant rejection, every audition is a great opportunity. And everyone who has made it in Hollywood has had to go through this phase. So the great promise hovers above the gray everyday life.

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Two friends, two Viennese, two poets, two unusual women. They have known each other for 30 years. Elfriede Jelinek is the better known of the two, the great author with her analytical mind and her social commitment against the whole "politician's docks." The now deceased lyricist Elfriede Gerstl remains rather tender with her poetry, although her poems do not miss a certain amount of sharpness, albeit ironically packed. When the two Elfrieden sit in their Viennese coffee house and drink the little brown, they usually talk about clothes, they talk about the fashion that Elfriede Gerstl has just collected again.

A stop-motion showing a boy’s journey through childhood to adulthood to promote the reintroduction of the PEN camera.